| 词条 | 24 Hour Party People | ||
| 释义 |
| name = 24 Hour Party People | image = 24 Hour Party People quad poster.jpg | caption = UK theatrical poster | director = Michael Winterbottom | producer = Andrew Eaton | writer = Frank Cottrell Boyce | starring = {{Plainlist|
| narrator = | music = | cinematography = Robby Müller | editing = Trevor Waite | studio = Film4 Revolution Films Baby Cow Productions UK Film Council The Film Consortium | distributor = Pathé (UK) United Artists (US) | released = {{Film date|df=y|2002|4|5}} | runtime = 117 minutes | country = United Kingdom | language = English | budget = | gross = $2.8 million }} 24 Hour Party People is a 2002 British comedy-drama film about Manchester's popular music community from 1976 to 1992, and specifically about Factory Records. It was written by Frank Cottrell Boyce and directed by Michael Winterbottom. The film was entered into the 2002 Cannes Film Festival.[1] It received positive reviews. It begins with the punk rock era of the late 1970s and moves through the 1980s into the rave and DJ culture and the "Madchester" scene of the late 1980s and early 1990s. The main character is Tony Wilson (played by Steve Coogan), a news reporter for Granada Television and the head of Factory Records. The narrative largely follows his career, while also covering the careers of the major Factory artists, especially Joy Division and New Order, A Certain Ratio, The Durutti Column and Happy Mondays. The film is a dramatisation based on a combination of real events, rumours, urban legends, and the imaginings of the scriptwriter – as the film makes clear. In one scene, one-time Buzzcocks member Howard Devoto (played by Martin Hancock) is shown having sex with Wilson's first wife in the toilets of a club; the real Devoto, an extra in the scene, turns to the camera and says, "I definitely don't remember this happening." The fourth wall is frequently broken, with Wilson (who also acts as the narrator) frequently commenting on events directly to camera as they occur, at one point declaring that he is "being postmodern, before it's fashionable". The actors are often intercut with real contemporary concert footage, including the Sex Pistols gig at the Lesser Free Trade Hall. PlotIn 1976 television presenter Tony Wilson sees the Sex Pistols perform at the Manchester Lesser Free Trade Hall for the first time. Inspired, Wilson starts a weekly series of punk rock shows at a Manchester club, where the newly formed Joy Division perform, led by the erratic, brooding Ian Curtis. Wilson founds a record label, Factory Records, and signs Joy Division as the first band; the contract is written in Wilson's blood and gives the Factory artists full control over their music. He hires irascible producer Martin Hannett to record Joy Division, and soon the band and label have a hit record. In 1980, just before Joy Division is to tour the United States, Curtis hangs himself. Joy Division rename themselves New Order and record a hit single, "Blue Monday". Wilson opens a nightclub, The Haçienda; business is slow at first, but eventually the club is packed each night. Wilson signs another hit band, Happy Mondays, led by Shaun Ryder, and the ecstasy-fuelled rave culture is born. Despite the apparent success, Factory Records is losing money. Every copy of "Blue Monday" sold loses five pence, as the intricately designed packaging by Peter Saville costs more than the single's sale price. Wilson pays for New Order to record a new album in Ibiza, but after two years, they still have not delivered a record. He pays for the Happy Mondays to record their fourth studio album in Barbados, but Ryder spends all the recording money on drugs. When Wilson finally receives the finished album, he finds that Ryder has refused to record vocals, and all the tracks are instrumentals. At the Haçienda, ecstasy use is curbing alcohol sales and attracting gang violence. The Factory partners try to save the business by selling the label to London Records but when Wilson reveals that the label does not hold binding contracts with any of its artists, the deal falls through. While smoking marijuana on the roof of Haçienda after its closing night, Wilson has a vision of God who assures Wilson he has earned a place in history. Cast{{col-begin}}{{col-2}}
Reception and awards{{expand section|date=June 2014}}The film holds a Metacritic score of 85/100.[2] Roger Ebert gave it four out of four stars.[3] The film was nominated for the Palme d'Or at the 2002 Cannes Film Festival. Soundtrack{{Infobox album| name = 24 Hour Party People | type = soundtrack | artist = various artists | cover = 24 Hour Party People album.jpg | alt = | released = {{Start date|df=y|2002|4|9}} | recorded = 1976–2002 | venue = | studio = | genre = Punk rock, post-punk, Madchester, electronica, house | length = | label = FFRR | producer = Pete Tong | prev_title = | prev_year = | next_title = | next_year = | misc = {{Extra album cover | header = Alternative cover | type = soundtrack | cover = 24 Hour Party People album1.jpg | border = | alt = | caption = US album cover }} }} The soundtrack to 24 Hour Party People features songs by artists closely associated with Factory Records who were depicted in the film. These include Happy Mondays, Joy Division (later to become New Order) and The Durutti Column. Manchester band the Buzzcocks are featured, as are The Clash. The album begins with "Anarchy in the U.K." by the Sex Pistols, the band credited in the film with inspiring Factory Records co-founder Tony Wilson to devote himself to promoting music. New tracks recorded for the album include Joy Division's "New Dawn Fades", from a concert performance by New Order with Moby and Billy Corgan. {{Album ratings| rev1 = Allmusic | rev1Score = {{Rating|4|5}}[4] | rev2 = Metacritic | rev2Score = (86/100)[5] | rev3 = NME | rev3Score = (8/10)[6] | rev4 = Pitchfork Media | rev4Score = (7/10)[7] | rev5 = Rolling Stone | rev5Score = {{Rating|3.5|5}}[8] | noprose = yes }} Track list
Other songs in filmSeveral songs appear in the film but are not on the soundtrack album, including:
Chart positions
See also
References1. ^{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/3124030/year/2002.html |title=Festival de Cannes: 24 Hour Party People |accessdate=24 October 2009|website=festival-cannes.com}} 2. ^{{cite web|title=24 Hour Party People |url=http://www.metacritic.com/movie/24-hour-party-people|website=Metacritic|accessdate=7 September 2015}} 3. ^{{cite web|title=24 Hour Party People |first=Roger |last=Ebert |url=http://www.rogerebert.com/reviews/24-hour-party-people-2002|website=rogerebert.com|accessdate=7 September 2015}} 4. ^{{Allmusic|class=album|id=r598747}} 5. ^{{cite web|url=http://www.metacritic.com/music/artists/24hourpartypeople/ost?q=24%20Hour%20Party%20People |title=OST Reviews, Ratings, Credits, and More at Metacritic |website=Metacritic.com |date= |accessdate=14 August 2011}} 6. ^{{cite web |url=http://www.nme.com/reviews/6233.htm |title=Latest Reviews from NME.com – Music Videos, CDs, Gig Reviews & More |website=NME.com |date= |accessdate=14 August 2011}} 7. ^{{cite web |url=http://www.pitchforkmedia.com/article/record_review/22384-24-hour-party-people?artist_title=22384-24-hour-party-people |title=Pitchfork: Album Reviews: Various Artists: 24 Hour Party People |website=Pitchforkmedia.com |date=19 August 2002 |accessdate=14 August 2011 |archive-url=https://web.archive.org/web/20090113174405/http://www.pitchforkmedia.com/article/record_review/22384-24-hour-party-people?artist_title=22384-24-hour-party-people |archive-date=13 January 2009 |dead-url=yes |df=dmy-all }} 8. ^{{cite magazine |url=https://www.rollingstone.com/artists/thesexpistols/albums/album/307860/review/6211078/24_hour_party_people |title=Various Artists: 24 Hour Party People |magazine=Rolling Stone |archiveurl=https://web.archive.org/web/20071015143504/http://www.rollingstone.com/artists/thesexpistols/albums/album/307860/review/6211078/24_hour_party_people |archivedate=15 October 2007 }} External links{{Wikiquote}}
22 : 2002 films|2000s comedy-drama films|2000s biographical films|British films|British biographical films|British comedy-drama films|English-language films|Films about music and musicians|Musical films based on actual events|Rock music films|Films set in the 1970s|Films set in the 1980s|Films set in Manchester|Punk films|Films directed by Michael Winterbottom|Screenplays by Frank Cottrell Boyce|Camcorder films|Film4 Productions films|Music in Manchester|Madchester|Fiction with unreliable narrators|Factory Records |
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