词条 | Buncheong | ||||||||
释义 |
|img=File:분청사기 상감운룡문 항아리.jpg |caption=Buncheong Ware with Inlaid Dragon and Stamped Design, Joseon Dynasty, National Treasure No. 259 |imgwidth= |hangul=분청사기 |hanja=粉靑沙器 |rr=Buncheong Sagi |mr=Punch'ǒng Sagi }} Buncheong ware, or Punch'ong, is a form of traditional Korean stoneware, with a bluish-green tone. Pots are coated with a white slip, and decorative designs are painted on using an iron pigment. HistoryBuncheong is a modern term used to describe Korean stoneware produced from the late 14th century and continued today. Buncheong ware developed from the earlier Goryeo celadon inlay technique called sanggam and rapidly distinguished itself.[1][2] The style emerged in the early Joseon dynasty, largely replacing the style of celadon in common use. In contrast to the refined elegance of Goryeo celadon, buncheong is designed to be natural, unassuming, and practical.[3] However, it all but disappeared from Korea after the 16th century due to the popularity of Joseon white porcelain.[4] Through a series of cultural and economic circumstances, Buncheong wares in its heyday were exported to Japan by practitioners of the Japanese tea ceremony.[5] After they were adopted by the Japanese tea masters, they started to influence Japanese ceramics. And from Japan, Buncheong spread widely and became known as Mishima pottery. In the 20th century, elements of Buncheong influenced many artists seeking insight into Asian ceramic traditions, and Buncheong continues to inspire artists to this day. Today, some Korean artists are working in stoneware with Buncheong techniques. The development of Buncheong is described in the 2011 book Korean Buncheong Ceramics from Leeum, Samsung Museum of Art, published to accompany the exhibition Poetry in Clay in New York and San Francisco. The National Museum of Korea houses a large collection of Buncheong ware, as well as the Leeum, Samsung Museum of Art in Seoul.[6] CharacteristicsBuncheong is characterised by the use of a dark, iron bearing clay, white slip for decoration and a clear glaze. Decorations can be white slip brushed on, drawing through white slip to reveal the dark body, iron oxide pigments applied with a brush and other methods all employing white slip on the dark body. GallerySee also
References1. ^{{cite book|last1=Koehler|first1=Robert|title=Korean Ceramics: The Beauty of Natural Forms|publisher=Seoul Selection|isbn=9781624120466|url=https://books.google.com/books?id=KNCECgAAQBAJ&pg=PT7#v=onepage&q&f=false|accessdate=29 March 2017|language=en}} 2. ^{{cite web|title=punch'ong pottery {{!}} Korean art|url=https://www.britannica.com/art/punchong-pottery|website=Encyclopedia Britannica|accessdate=30 March 2017|language=en}} 3. ^{{cite book|last1=Koehler|first1=Robert|title=Korean Ceramics: The Beauty of Natural Forms|publisher=Seoul Selection|isbn=9781624120466|url=https://books.google.com/books?id=KNCECgAAQBAJ&pg=PT50#v=onepage&q&f=false|accessdate=29 March 2017|language=en}} 4. ^{{cite web|last1=Lee|first1=Author: Soyoung|title=Joseon Buncheong Ware: Between Celadon and Porcelain|url=http://www.metmuseum.org/toah/hd/pnch/hd_pnch.htm|website=The Met’s Heilbrunn Timeline of Art History|publisher=Metropolitan Museum of Art|accessdate=29 March 2017}} 5. ^Knapp J. Buncheong Ceramics. Ceramics Monthly [serial on the Internet]. (2012, Jan), [cited December 2, 2015]; 60(1): 24-25. Available from: Academic Search Complete. 6. ^{{cite web|title=Seoul's best museums|url=http://www.cnngo.com/seoul/play/seouls-best-museums-060516|website=CNN Travel|accessdate=30 March 2017|archive-url=https://web.archive.org/web/20120928105016/http://www.cnngo.com/seoul/play/seouls-best-museums-060516#|archive-date=2012-09-28|dead-url=yes|df=}} Further reading
External links{{commonscat-inline|Buncheong ware}}
1 : Korean pottery |
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