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词条 Ken Rinaldo
释义

  1. Biography

  2. Further reading

  3. References

  4. External links

{{Infobox artist
| name = Ken Rinaldo
| image =
| image_size =
| alt =
| caption =
| birth_name = Kenneth E. Rinaldo
| birth_date = {{Birth year and age|1958}}
| birth_place = Queens, New York
| death_date =
| death_place =
| nationality = American
| alma_mater = San Francisco State University,
University of California, Santa Barbara
| known_for = Interactive art installations using technology
| website = {{URL|http://kenrinaldo.com}}
}}

Kenneth E. Rinaldo (born 1958)[1][2] is an American artist and arts educator, known for his interactive robotics, 3D animation and bio-art installations.

His works include Autopoiesis (2000),[3][4][5] and Augmented Fish Reality (2004), a fish-driven robot.[6]

Biography

Rinaldo was born in Queens and raised in Long Island.[7] He attended Ward Melville High School in Setauket, New York.[7] He moved to California and earned an Associate of Science degree in Computer Science from Cañada College,[7] 1982. He went on to earn a Bachelor of Arts in Communications from The University of California, Santa Barbara;[7] 1984 and a Master of Fine Arts in Conceptual Information Arts from San Francisco State University, 1996.[7] At San Francisco State he studied with artists Steve Wilson, Brian Rogers, George LeGrady and Paul DeMarinis.[7]

In 2000 he received the first prize at the VIDA 3.0 International Artificial Life Competition for Autopoiesis;[8] in 2001 the same piece received an honorable mention at the Ars Electronica Festival.[9][10] In 2004 Rinaldo's Augmented Fish Reality, a fish-driven robot, won an award of distinction at the same festival.[6][11]

Rinaldo directs the Art and Technology Program in the Department of Art at Ohio State University.[10][12]

Further reading

  • Aloi, Giovanni. (2012) Art and Animals. London: Tauris. p. 108. [https://books.google.com/books?id=oBPfUmsAd1oC&lpg=PP1&dq=978-1848855250&pg=PT130#v=onepage&q&f=false] Shanken, Edward A. (2015). Systems. London: Whitechapel Gallery. [https://mitpress.mit.edu/books/systems]
  • Brouwer, Joke. (2010) The Politics of the Impure. Rotterdam: NAI. p. 47. [https://books.google.com/books?id=kAVpKg0HoLkC&lpg=PA33&dq=9789056627485&pg=PA47#v=onepage&q&f=false]
  • Jones, Amelia. (2006) A Companion to Contemporary Art Since 1945. Malden (MA): Blackwell Publishing. p. 575. [https://books.google.com/books?id=FLUNei9i-RcC&lpg=PP1&dq=9781405107945&pg=PA575#v=onepage&q&f=false]
  • Jones, Noa. (2007) Art in Action: nature, creativity and our collective future. San Rafael: Earth Aware Editions. [https://issuu.com/insighteditions/docs/mea_catalog_2013_040413]
  • Ohlenschläger, Karin. (2012) Vida 1999-2012: arte y vida artificial = art and artificial life. Madrid: Fundación Telefónica. [https://www.amazon.com/VIDA-1999-2012/dp/8415282044]
  • Parikka, Jussi. (2010) Insect Media: An Archaeology of Animals and Technology. Minneapolis: University of Minnesota Press. p. 134. [https://books.google.com/books?id=cLbYMCjAXY8C&lpg=PP1&dq=9780816675241&pg=PA134#v=onepage&q&f=false]
  • Poissant, Louise, and Daubner, Ernestine. (2005) Art et biotechnologies. Sainte-Foy (Québec): Presses de l'Université du Québec. [https://www.amazon.com/art-biotechnologies-Poissant-Louise/dp/2760513289]
  • Preziosi, Donald. (2007) The Art of Art History: A Critical Anthology. Oxford [u.a.]: Oxford Univ. Press. [https://books.google.com/books?id=Q7GArjCG9J8C&lpg=PA9&dq=9780192842428&pg=PP1#v=onepage&q&f=false]
  • Reichle, Ingeborg. (2009). Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art. Wien: Springer. [https://www.amazon.com/Art-Age-Technoscience-Engineering-Contemporary/dp/3211781609]
  • Scarinzi, Alfonsina. (2016) Aesthetics and the embodied mind: beyond art theory and the cartesian mind-body dichotomy. Dordrecht: Springer Netherlands. [https://www.amazon.com/Aesthetics-Embodied-Mind-Contributions-Phenomenology/dp/9402406506]
  • Shanken, Edward A. (2014). Art and Electronic Media. London: Phaidon Press Limited. [https://www.amazon.com/Art-Electronic-Media-Edward-Shanken/dp/0714868582] Whitelaw, Mitchell. (2004) Metacreation: Art and Artificial Life. Cambridge, Mass: MIT Press.  
  • Wilson, Stephen. (2003) Information Arts: Intersections of Art, Science, and Technology. Cambridge, Massachusetts: The MIT press. p. 113. [https://books.google.com/books?id=sHuXQtYrNPYC&lpg=PT750&dq=9780262731584&pg=PT138#v=onepage&q&f=false]

References

1. ^{{Cite web|url=http://www.medienkunstnetz.de/artist/rinaldo/biography/|title=Rinaldo, Ken: Biography|last=Net|first=Media Art|date=2018-02-06|website=Media Art Net, medienkunstnetz.de|language=en|archive-url=|archive-date=|dead-url=|access-date=2018-02-07}}
2. ^{{Cite web|url=http://istanbulmuseum.org/artists/ken%20rinaldo.html|title=Ken Rinaldo, Boğaziçi - Interview Project|last=Gündüz|first=Mert|date=2010|website=Istanbul Museum|archive-url=|archive-date=|dead-url=|access-date=2018-02-07}}
3. ^Artificial Life 7 Workshop Proceedings, Carlo C. Maley and Eilis Boudreau Editors, Autopoiesis by Kenneth E. Rinaldo pgs, 166-169
4. ^Information Arts, Intersections of Art, Science, and Technology Stephen Wilson pgs 113-114, 341-342, 344, 427
5. ^Digital Art by Christiane Paul {{ISBN|978-0-500-20367-5}}. pg 144, 145
6. ^Kenneth Rinaldo and France Cadet: artificial life and the lives of the non-human. (Critical Essay): An article from: Parachute: Contemporary Art Magazine [HTML] (Digital) by Carol Gigliotti pgs 69-83  
7. ^{{Cite news|url=http://we-make-money-not-art.com/interview_of_ke/|title=Interview of Ken Rinaldo|date=2006-08-02|work=We Make Money Not Art|access-date=2018-02-07|language=en-US}}
8. ^{{Cite web|url=https://vida.fundaciontelefonica.com/en/15-years-of-vida/15anniversary/|title=VIDA 15th Anniversary Celebration|last=|first=|date=|website=VIDA Fundación Telefónica|language=en-US|archive-url=|archive-date=|dead-url=|access-date=2018-02-07}}
9. ^{{Cite web|url=http://archive.aec.at/prix/#36677|title=ARCHIVE - Prix Ars Electronica Showcase|last=|first=|date=|website=archive.aec.at|language=en|archive-url=|archive-date=|dead-url=|access-date=2018-02-07}}
10. ^{{Cite web|url=http://archive.aec.at/prix/showmode/36677/|title=Ars Electronica Archiv - AUTOPOIESIS|last=|first=|date=|website=archive.aec.at|language=en|archive-url=|archive-date=|dead-url=|access-date=2018-02-07}}
11. ^{{Cite web|url=http://archive.aec.at/prix/#187|title=Ars Electronica Archiv|website=archive.aec.at|language=en|access-date=2018-02-07}}
12. ^Leonardo, Volume 31, number 5, 1998 Technology Recapitulates Phylogeny Artificial Life Art by Kenneth Rinaldo pgs 371-376

External links

  • Artists Web Site
  • Artist's biography, YLEM web site
{{authority control}}{{DEFAULTSORT:Rinaldo, Ken}}

10 : Ohio State University faculty|American contemporary artists|American installation artists|1958 births|Living people|Robotic art|BioArtists|University of California, Santa Barbara alumni|New media artists|Ward Melville High School alumni

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