| 词条 | Severo Sarduy |
| 释义 |
BiographyBorn in a working-class family of Spanish, African, and Chinese heritage, Sarduy was the top student in his high school, in Camagüey, and in 1956 moved to Havana, where he began a study of medicine. With the triumph of the Cuban revolution he collaborated with the Diario libre and Lunes de revolución, pro-Marxist papers. In 1960 he traveled to Paris to study at the Ecole du Louvre. There he was connected to the group of intellectuals who produced the magazine Tel Quel, particularly to philosopher François Wahl, with whom he was openly involved[4] Sarduy worked as a reader for Editions du Seuil and as editor and producer of the Radiodiffusion-Télévision Française. Sarduy decided not to return to Cuba when his scholarship ran out a year later. Disaffected with Castro’s regime and fearful of its persecution of homosexuals and the censorship imposed on writers, Sarduy never went home. In 1972 his novel Cobra won him the Medici Prize. He was among the most brilliant essayists writing in Spanish and "a powerful baroque narrator, full of surprising resources."[5] As a poet, he was considered one of the greatest of his time. He was also a more or less secret painter; a major retrospective of his work was held at the Reina Sofía Museum of Madrid after his death. He died due to complications from AIDS just after finishing his autobiographical work Pájaros de la playa (translated as Beach Birds by Suzanne Jill Levine and Carol Maier). To this day, his writings are difficult to access for a Cuban audience, whereas his books are available to the French and international public. Bibliography{{div col}}
References1. ^Gosser-Esquilín, Mary Ann. "Sarduy, Severo." In David William Foster, ed., Latin American Writers on Gay and Lesbian Themes: A Bio-Critical Sourcebook, 414-418. Westport, CT: Greenwood Press, 1994. {{ISBN|0-313-28479-2}} 2. ^Mira, Alberto. "Sarduy, Severo." Para entendernos: Diccionario de cultura homosexual, gay y lésbica, 648-650. Barcelona: Ediciones de la Tempestad, 1999. {{ISBN|84-7948-959-6}} 3. ^Duno Gottberg, Luis, Solventando las diferencias: la ideología del mestizaje en Cuba. Madrid, Iberoamericana – Frankfurt am Main, Vervuert, 2003 4. ^Bill Marshall, France and the Americas: Culture, Politics, and History (Transatlantic Relations), ABC-CLIO Ltd, 2005, p.1045 [https://books.google.com/books?id=jfq5Tp0nq98C&pg=RA2-PA1045&lpg=RA2-PA1045&dq=%22francois+wahl%22+gay&source=web&ots=BImkd3rEam&sig=hIl9ixiAGVtJhEj9eyKzXS-AlWQ&hl=en&sa=X&oi=book_result&resnum=6&ct=result]Tel Quel promoted structuralism and experimental writing. He was also involved with Mundo Nuevo, a Spanish-language journal directed by Uruguayan critic Emir Rodriguez Monegal. 5. ^Ruy Sánchez, Alberto. "Severo Sarduy y el ritual del colibrí", in Cuatro escritores rituales. Conaculta, 2000. {{ISBN|970-18-7269-X}} 6. ^http://findingaids.princeton.edu/collections/C1470 Further reading
External links{{Portal|Cuba|LGBT}}
17 : Cuban poets|Cuban male writers|Cuban dramatists and playwrights|LGBT writers from Cuba|1937 births|1993 deaths|Gay writers|AIDS-related deaths in France|Prix Médicis étranger winners|LGBT dramatists and playwrights|Guggenheim Fellows|École du Louvre alumni|20th-century poets|20th-century dramatists and playwrights|Male dramatists and playwrights|Male poets|20th-century male writers |
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