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词条 First Men in the Moon (1964 film)
释义

  1. Plot

  2. Cast

  3. Production

     Spacesuits used  Shooting 

  4. Critical reception

  5. Comic book adaptation

  6. References

  7. External links

{{See also|Le voyage dans la lune|The First Men in the Moon (1919 film)|The First Men in the Moon (2010 film)}}{{Use dmy dates|date=June 2016}}{{Use British English|date=June 2016}}{{Infobox film
| name = The First Men in the Moon
| image = FirstMenontheMoon.jpg
| image_size = 225px
| caption = Theatrical release poster
| director = Nathan Juran
| producer = Charles H. Schneer
| screenplay = Nigel Kneale
Jan Read
| based on = {{based on|The First Men in the Moon
1901 (novel)|H. G. Wells}}
| starring = Edward Judd
Martha Hyer
Lionel Jeffries
| music = Laurie Johnson
| cinematography = Wilkie Cooper
| editing = Maurice Rootes
| studio = Ameran Films
| distributor = Columbia Pictures
| released = 6 August 1964[1] (UK)
| runtime = 103 minutes
| country = United Kingdom
| language = English
| budget =
| gross = $1,650,000 (US/Canada)[2]
}}First Men in the Moon is a 1964 British Technicolor science fiction film produced by Charles H. Schneer, directed by Nathan Juran, starring Edward Judd, Martha Hyer and Lionel Jeffries. It is an adaptation by science fiction scriptwriter Nigel Kneale of H. G. Wells' 1901 novel The First Men in the Moon. Ray Harryhausen provided the stop-motion animation effects, which include the Selenites, giant caterpillar-like "Moon Cows", and the big-brained Prime Lunar.[3][4]

Plot

In 1964, the United Nations (UN) has launched a rocket flight to the Moon. A multi-national group of astronauts in the UN spacecraft land on the Moon, believing themselves to be the first lunar explorers. However, they discover a Union Jack flag on the surface and a note mentioning Katherine Callender, which claims the Moon for Queen Victoria. Attempting to trace Callender, UN authorities find she has died but that her husband Arnold Bedford is still living, and resides in an old people's home. The nursing home staff do not let him watch television reports of the expedition because, according to the matron, it "excites him", and dismiss his claims to have been on the Moon as an insane delusion. The UN representatives question him about the Moon and he tells them his story. The rest of the film, as a flashback, shows what Bedford and Professor Cavor did in the 1890s.

In 1899, Arnold Bedford and his fiancée Katherine Callender – known as Kate – meet an inventor, Joseph Cavor, who has invented Cavorite, a substance that will let anything it is applied to or made of deflect the force of gravity and which he plans to use to travel to the Moon. Cavor has already built a spherical spaceship for this purpose, taking Arnold and (accidentally) Kate with him. While exploring the Moon, Bedford and Cavor fall down a vertical shaft and discover to their amazement an insectoid population, the Selenites, living beneath the surface. (Cavor coins this name for the creatures after the Greek goddess of the moon, Selene). Bedford attacks a group of Selenites in fear -- killing several, despite Cavor's horrified protests. After escaping from the Selenites back to the surface, they discover that their ship, still containing Kate (who stayed behind because Cavor had brought only two spacesuits), has been dragged into their underground city.

The two, following the drag trail, find and enter the city. The city holds a breathable atmosphere, so they remove and leave their spacesuit helmets. Upon finding the living quarters, they are attacked by a giant caterpillar-like "moon bull" which pursues them until the Selenites find out and are able to kill it with their tesla coil-like electrical stun ray gun. Cavor and Bedford see the city's power station, powered by sunlight. In the end, they reach their ship underground. The Selenites quickly learn English and interrogate Cavor, who believes they wish to exchange scientific knowledge; this also leads up to Cavor having a discussion with the "Grand Lunar", the ruling entity of the Selenites. Bedford, however, upon entering the chamber just as the Grand Lunar voices his concerns over human aggressiveness, makes the assumption that Cavor, and presumably all humanity, is on trial, attempts to kill the Grand Lunar with an elephant gun -- failing due to Cavor's attempts to stop him. Running for their lives, Bedford manages to find the sphere and escape, but Cavor stays voluntarily on the Moon.

Bedford, along with Kate, flies the ship up a vertical shaft, shattering the window cover at the top, and back to Earth. The aged Bedford concludes his story by mentioning that the ship came down in the sea off Zanzibar, and sank, but he and Kate managed to swim ashore. Cavor's ultimate fate remained unknown.

Back in the present day, Bedford, the UN party and newspaper reporters watch on television the latest events on the Moon, where the UN astronauts have broken into the Selenite city and find it deserted and decaying. Moments later, the ruined city starts to crumble and collapse, forcing the landing crew to retreat hastily, and seconds later the city -- and all of its history -- is completely destroyed. Bedford realizes that the Selenites must have been killed off by Cavor's common cold viruses to which they had no immunity.

Cast

  • Edward Judd as Bedford
  • Martha Hyer as Kate
  • Lionel Jeffries as Cavor
  • Miles Malleson as Dymchurch registrar
  • Norman Bird as Stuart
  • Gladys Henson as nursing home matron
  • Hugh McDermott as Richard Challis, UN Space Agency
  • Betty McDowall as Margaret Hoy, UN Space Agency
  • Huw Thomas as announcer
  • Erik Chitty as Gibbs
  • Peter Finch as bailiff's man
  • Marne Maitland as Dr. Tok, UN Space Agency
* Not credited on-screen.

Production

This was the third collaboration between producer Charles Schneer and director Nathan Juran. [3]

Edward Judd was under contract to Columbia Pictures at the time. "I had never done anything like that at the time, so I thought it would be fun," Judd said. "Since Lionel was already a great chum of min I knew we would have laughs on the set.[5]

Ray Harryhausen used blueprints from NASA for the lunar landcraft to design sets.[3]

Spacesuits used

{{Original research section|date=February 2014}}{{see also|Spacesuits in fiction}}

Two types of space suits are featured. During the main events of the story, which take place in the 1890s, the film's Victorian-era astronauts are outfitted in standard diving dresses (each fitted with a 1960s-type aqualung cylinder worn as a backpack), as spacesuits. Their suits are neither pressurised nor heated or cooled, and they do not wear protective gloves despite the vacuum of space and extreme cold and heat of the lunar surface. There are other technical issues confronting the Victorian explorerers: even with heating and cooling provided, using rubber-lined diving suits on the Moon is impractical. Even before the space age began, the 1948 science fiction short story, "Gentlemen, Be Seated!" by Robert A. Heinlein, deftly describes the brittleness of rubber once it is exposed to the vacuum of space.

Cavor and Bedford have no radio and must make their helmets touch each other to talk in the vacuum (although the filmmakers violate this rule several times). It is not clear whether the Selenites have radio. The history of radio was only just starting when the 1890s events were set. Wireless communication from Cavor in the Moon appears in H. G. Wells's novel.

The spacesuit worn by the UN Astronauts is actually the Windak high-altitude pressure suit,[6] developed for the Royal Air Force (here each fitted with a 1960s-type aqualung cylinder worn backpack). These pressure suits would also be used in two Doctor Who stories: William Hartnell's final story "The Tenth Planet" and the Patrick Troughton-era "The Wheel in Space". They also appear in the original Star Wars trilogy as the costumes for Bossk and Bo Shek.

Shooting

Filming started 1 October 1963.[7]

"After you got past the first couple of reels, it was a funny film," said Juran. "Lionel was a swell actor. I liked him very much. His performance added immeasurably to the picture's entertainment value. He played it tongue in cheek but being such a good comic actor he controlled himself and never went too far. He made a great team with Edward Judd. Their personalities, one against the other, were just perfect."[3]

"It was fun to do but it was bloody hard work," said Judd. "Lionel called it 'acting with chalk marks' because we were pointing at things that weren't there, and dealing with blue backing and traveling mattes."[5]

Harryhausen would explain to the actors what the creatures would eventually look like just before they shot scenes involving them.[5]

"Lionel and I didn't like Jerry's working methods too much," said Judd. "He was more of a technician than an actor's director. We always thought of him as an art director, which of course he had been."[5]

Critical reception

Among contemporary reviews, Variety wrote, "Ray Harryhausen and his special effects men have another high old time in this piece of science-fiction hokum filmed in Dynamation," adding that "Wells' novel and has been neatly updated," and concluding that "The three principals play second fiddle to the special effects and art work, which are impressive in color, construction and animation".[8]

However, The New York Times wrote, "Only the most indulgent youngsters should derive much stimulation - let alone fun - from the tedious, heavyhanded science-fiction vehicle that arrived yesterday from England";[9].

The Guardian called it "good of its type".[10]

TV Guide called it "An enjoyable science fiction film."[11] and Blu-ray.com highly recommended "a fun and exciting viewing experience."[12]

Comic book adaptation

  • Gold Key: First Men in the Moon (March 1965)[13][14]

References

1. ^{{cite web|url=http://s386.photobucket.com/user/lasermagnetic/media/Hammer+Film+Album/Image3-13.jpg.html|title=Image (3)|website=Photobucket}}
2. ^"Big Rental Pictures of 1964", Variety, 6 January 1965 p 39. Please note this figure is rentals accruing to distributors not total gross.
3. ^{{cite magazine|url=https://archive.org/stream/starlog_magazine-142/142#page/n57/mode/1up|first=Steve|last=Swires|title=Nathan Juran: The Fantasy Voyages of Jerry the Giant Killer Part Two|magazine=Starlog Magazine|issue=142|date= May 1989|pages=58}}
4. ^FIRST MEN IN THE MOONMonthly Film Bulletin; London Vol. 31, Iss. 360, (Jan 1, 1964): 134.
5. ^{{cite magazine|magazine=Starlog|issue=160|url=https://archive.org/details/starlog_magazine-160/page/n18?q=%22first+men+in+the+moon%22|page=18|title=First Man on the Moon|first=Steve|last=Swires}}
6. ^{{cite web|url=http://sayhellospaceman.blogspot.com/search/label/Windak|title=Say; Hello Spaceman|publisher=}}
7. ^'TOM JONES' FILM OPENS HERE OCT. 7: British Adaptation of Novel Stars Albert Finney Johnston Award Established Miss Hyer Plans 'Moon Trip' 3 Return to Movies 'The Suitor' Opens TodayNew York Times 17 Sep 1963: 31.
8. ^{{cite web|url=https://variety.com/1963/film/reviews/first-men-in-the-moon-1200420650/|title=First Men in the Moon|first=Variety|last=Staff|date=1 January 1964|publisher=}}
9. ^{{cite web|url=https://www.nytimes.com/1964/11/26/archives/the-screen-moondust-new-space-trip-film-opens-at-the-capitol.html|title=The Screen: Moondust; New Space Trip Film Opens at the Capitol|publisher=}}
10. ^Cynical, but impressiveThe Guardian 21 Sep 1964: 4.
11. ^{{cite web|url=http://www.tvguide.com/movies/first-men-in-the-moon/review/126207/|title=First Men In The Moon|website=TVGuide.com}}
12. ^{{cite web|url=http://www.blu-ray.com/movies/First-Men-in-the-Moon-Blu-ray/48992/#Review|title=First Men in the Moon Blu-ray|publisher=}}
13. ^{{gcdb issue|id=19027|title=Gold Key: First Men in the Moon}}
14. ^{{comicbookdb|type=issue|id=324897|title=Gold Key: First Men in the Moon}}

External links

  • {{IMDb title|0058100|First Men in the Moon}}
  • {{Allmovie title|17495|First Men in the Moon}}
  • {{tcmdb title|4568|First Men in the Moon}}
  • {{AFI film|id=22693|title=First Men in the Moon}}
{{H. G. Wells}}{{Nigel Kneale}}{{Nathan Juran}}{{The First Men in the Moon}}

15 : 1964 films|British films|English-language films|1960s science fiction films|British science fiction films|Columbia Pictures films|Films based on works by H. G. Wells|Films set in 1899|Films set in 1964|Films set in England|Films shot in England|Moon in film|Films using stop-motion animation|Films directed by Nathan Juran|Films adapted into comics

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