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词条 Anna Caterina Antonacci
释义

  1. Repertory

  2. Discography

  3. References

  4. External links

{{Use dmy dates|date=July 2014}}{{More footnotes|date=February 2009}}Anna Caterina Antonacci (born 5 April 1961) is an Italian soprano known for roles in the bel canto and Baroque repertories. She performed as a mezzo-soprano for several years, particularly performing the Rossini canon{{citation needed|date=March 2014}}. Antonacci studied in Bologna and made her debut as Rosina in 1986 at Arezzo. She was profiled at length by The New York Times in March 2012.[1]

Repertory

  • Bellini: Adalgisa (Norma), Romeo (I Capuleti e i Montecchi)
  • Berlioz: Cassandre (Les Troyens), Marguerite (La Damnation de Faust), Cléopâtre (La mort de Cléopâtre)
  • Bizet: Carmen (Carmen)
  • Cherubini: Medea (Medea)
  • Cimarosa:Orazia (Gli Orazi ed i Curiazi)
  • Donizetti: Elisabetta (Maria Stuarda)
  • Gluck: Alceste (Alceste), Armide (Armide), Iphigénie (Iphigénie en Tauride)
  • Halévy: Rachel (La Juive)
  • Handel: Agrippina (Agrippina), Rodelinda (Rodelinda), Serse (Serse)
  • Manfroce: Polyxena (Ecuba)
  • Massenet: Charlotte (Werther)
  • Mayr: Clotilde (La rosa bianca e la rosa rossa)
  • Monteverdi: both Poppea and Nerone (L'incoronazione di Poppea)
  • Mozart: both Fiordiligi and Dorabella (Così fan tutte), Donna Elvira (Don Giovanni), Vitellia (La Clemenza di Tito), Elettra (Idomeneo)
  • Paisiello: Elfrida (Elfrida), Nina (Nina)
  • Puccini: Kate Pinkerton (Madama Butterfly)
  • Rossini: Rosina (Il barbiere di siviglia), Dorliska (Torvaldo e Dorliska), Ninetta (La gazza ladra), Semiramide (Semiramide), Ermione (Ermione), Elisabetta (Elisabetta, regina d'Inghilterra), Elena (La donna del lago), Zelmira (Zelmira), Elcia (Mosè in Egitto), Anaï (Moïse), Angelina (La Cenerentola)
  • Verdi: Flora (La traviata), Nannetta (Falstaff), Alice Ford (Falstaff), Marchesa del Poggio (Un giorno di regno)

Discography

Operas
  • Berlioz: Les Troyens/Gardiner, Théâtre du Châtelet
  • Bizet: Carmen/Pappano, Covent Garden
  • Handel: Rodelinda/Christie, Glyndebourne Opera
  • Marschner: Hans Heiling/Palumbo, Cagliari Opera
  • Monteverdi: L'incoronazione di Poppea/Bolton, Bavarian State Opera
  • Mozart: Così fan tutte/Kuhn, Marchigiana Philharmonic
  • Mozart: Don Giovanni/Muti, Vienna State Opera
  • Rossini: Ermione/Davis, Glyndebourne
  • Verdi: Falstaff/Muti, La Scala
Solo
  • Era La Notte/Anna Caterina Antonacci (Monteverdi, Strozzi, Giramo)

References

1. ^Woolfe, Zachary (30 March 2012). [https://www.nytimes.com/2012/04/01/arts/music/anna-caterina-antonacci-italian-soprano.html?pagewanted=all "A Career That Moves in Mysterious Ways"]. The New York Times
  • Jessica Duchen, Prima Donna Autentica, Opera News, June 2011 – VOL. 75, NO. 12.
  • Christiansen, Rupert, [https://www.telegraph.co.uk/culture/music/opera/3656018/The-Callas-of-our-time.html The Callas of our time?], Daily Telegraph, 20 October 2006. Accessed 26 February 2009.
  • Fisher, Neil, Anna Caterina Antonacci: the riddle of the sphinx, The Times, 16 January 2009. Accessed 26 February 2009.
  • Grove Music Dictionary. Accessed via subscription 25 February 2009.

External links

  • Anna Caterina Antonacci, Askonas Holt Artists' Management
  • An Interview with Anna Caterina Antonacci, July 2012, Opera Lively
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5 : 1961 births|Italian operatic sopranos|Italian mezzo-sopranos|People from Ferrara|Living people

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