| 词条 | Hugh Kenner |
| 释义 |
| name = Hugh Kenner | birth_date = January 7, 1923 | birth_place = Peterborough, Ontario, Canada | death_date = November 24, 2003 (aged 80) | death_place = Athens, Georgia, United States | nationality = Canadian | discipline = Literary criticism | main_interests = Modernist literature | notable_works = The Pound Era (1971) }} William Hugh Kenner (January 7, 1923 – November 24, 2003) was a Canadian literary scholar, critic and professor. BiographyEarly years and educationKenner was born in Peterborough, Ontario, on January 7, 1923. His father Dr. H.R.H. Kenner taught classics and his mother Mary (Williams) Kenner taught French and German at Peterborough Collegiate Institute. Kenner attributed his interest in literature to his poor hearing, caused by a bout of influenza during his childhood. Attending the University of Toronto, Kenner studied under Marshall McLuhan, who wrote the introduction to Kenner's first book Paradox in Chesterton, about G. K. Chesterton's works. Kenner's second book, The Poetry of Ezra Pound (1951) was dedicated to McLuhan, who had introduced Kenner to Pound on June 4, 1948, during Pound's incarceration at St. Elizabeths Hospital, Washington, D.C., where Kenner and McLuhan had driven as a detour from their trip from Toronto to New Haven, Connecticut. (Pound, who became a friend of Kenner's, had suggested the book be titled The Rose in the Steel Dust.) Later, Kenner said of McLuhan, "I had the advantage of being exposed to Marshall when he was at his most creative, and then of getting to the far end of the continent shortly afterward, when he couldn't get me on the phone all the time. He could be awfully controlling."[1] Later, when McLuhan wrote that the development of cartography during the Renaissance created a geographical sense that had never previously existed, Kenner sent him a postcard reading in full: "Gallia est omnis divisa in partes tres, Yours, Hugh."[2] In 1950, Kenner earned a Ph.D. from Yale University, with a dissertation on James Joyce, James Joyce: Critique in Progress, for Cleanth Brooks. This work, which won the John Addison Porter Prize at Yale, became Dublin's Joyce in 1956. Academic careerKenner's first teaching post was at the University of California, Santa Barbara (1951 to 1973); he then taught at Johns Hopkins University (from 1973 to 1990) and the University of Georgia (from 1990 to 1999). Kenner played an influential role in raising Ezra Pound's profile among critics and other readers of poetry. The publication of The Poetry of Ezra Pound in 1951 "was the beginning, and the catalyst, for a change in attitude toward Pound on the American literary and educational scenes."[3] The Pound Era, the product of years of scholarship and considered by many to be Kenner's masterpiece, was published in 1971. This work was responsible for enshrining Pound's reputation (damaged by his wartime activities) as one of the greatest Modernists. Though best known for his work on modernist literature, Kenner's range of interests was wide. His books include an appreciation of Chuck Jones, an introduction to geodesic math, and a user's guide for the Heathkit H100/Zenith Z-100 computer;[4] in his later years he was a columnist for both Art & Antiques and Byte magazine.[5] Kenner was a friend of William F. Buckley, Jr., to whom Kenner introduced word processing,[6] and a contributor to National Review. He also shared a close correspondence with Guy Davenport, the noted scholar and fiction writer. Personal lifeKenner was married twice: his first wife, Mary Waite, died in 1964; the couple had three daughters and two sons. His second wife, whom he married in 1965, was Mary-Anne Bittner; they had a son and a daughter. DeathHugh Kenner died at his home in Athens, Georgia on November 24, 2003. Selected bibliography
References1. ^{{cite web|url=http://bookwire.com/bookwire/bbr/reviews/March2001/hugh_kenner_thegrandtour.htm |title=Hugh Kenner: The Grand Tour |accessdate=2011-07-15 |deadurl=bot: unknown |archiveurl=https://web.archive.org/web/20100103161939/http://bookwire.com/bookwire/bbr/reviews/March2001/hugh_kenner_thegrandtour.htm |archivedate=January 3, 2010 |df= }}, Bookwire, March 2011. 2. ^Sweeney, Séamus :Amused to Death Already?: Neil Postman's Amusing Ourselves to Death 20 years on, Social Affairs Unit Blog, March 14, 2005. 3. ^James Laughlin, Introduction to The Poetry of Ezra Pound by Hugh Kenner (Bison Books, 1985), p. xii. 4. ^[https://www.nytimes.com/2003/11/25/arts/hugh-kenner-commentator-on-literary-modernism-pound-and-joyce-is-dead-at-80.html Hugh Kenner, Commentator on Literary Modernism, Pound and Joyce, Is Dead at 80], New York Times, November 25, 2003 5. ^{{cite web |url=http://www.lib.utexas.edu/taro/uthrc/00209/hrc-00209p1.html |title=Archived copy |accessdate=2010-09-10 |deadurl=yes |archiveurl=https://web.archive.org/web/20110716024416/http://www.lib.utexas.edu/taro/uthrc/00209/hrc-00209p1.html |archivedate=2011-07-16 |df= }} 6. ^{{cite news | url=https://books.google.com/books?id=EDAEAAAAMBAJ&lpg=PA25&pg=PA26#v=onepage&q&f=true | title=Buckley finds word processing on Z-89 'liberating' | work=InfoWorld | date=1982-09-13 | accessdate=9 January 2015 | author=Shea, Tom | pages=26}} External links
13 : 1923 births|2003 deaths|Canadian literary critics|University of Toronto alumni|Yale University alumni|Johns Hopkins University faculty|University of Georgia faculty|University of California, Santa Barbara faculty|People from Peterborough, Ontario|Guggenheim Fellows|Canadian people of German descent|James Joyce scholars|American academics of English literature |
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