“Guo Lusheng”的意思、由来-开放百科全书

His poems were the first to break with the Mao Zedong-style classicist poetry, expressing the "bewilderment of the Red Guard generation". Young readers spread his poems widely in hand-copied form, and he was one of the mascots of the sent-down youth generation - educated youth who were sent to the countryside during the cultural revolution. This underground poetry movement continued over the next 30 years, and he inspired several modern movements including the Misty poets.^[3]

Life

Guo Lusheng's father, Guo Yunxuan, was in the Red Army, and like the wives of many Red Army soldiers, his mother was accompanying the army, when he was born by the roadside during a bitter winter march in 1948. The name Lusheng means "born on the road".

He started writing poetry early, and came into attention of the authorities for his poetry, which were noted for their "bourgeois values" by an admiring teacher at school.

underground literature group ‘Sun Fleet’, which was broken up in 1966, with many of the members committing suicide or receiving death sentences; Guo himself was arrested and beaten up^[4]

Despite being released, he had been branded a "rightist student" and could sense the danger swirling all around him.

During the Cultural revolution in 1968, Guosheng was sent for two years to the Apricot village in Shanxi. During this period he fell in love with the Uyghur girl Lili, and wrote some tragic love poems. Upon his return, he was inducted in the People's Liberation Army, hoping he may be able to get his poetry published. He was given a clerical position, but he became depressed and withdrawn from the oppressive conditions; he was soon discharged.

With all his friends scattered, Lusheng shut himself in his room and became a chain-smoker. Soon thereafter, his father saw that he had drawn a picture of a man with a long knife to his neck, and became concerned that he may be contemplating suicide. The family took him to a mental institution, and since then he has been passing his time shuttling between home and the hospital. Eventually, he was diagnosed with schizophrenia in 1973.^[5]

During a reprieve from the mental institution, he met and married Ala Li,^[4] the daughter of Li Lisan, an early leader of the Chinese revolution and ex-minister of labour, who died in mysterious circumstances.

Despite his prominence, Lusheng was largely forgotten in the opening up era, though a quiet resurgence is under way. He lived in a mental ward along with fifty other patients in Beijing,^[6] for many years, but now lives at home.^[7]

In 2008, he read at The World Literature Today Conference, at Beijing Normal University.^[9]

Poetry

In 1968, in the shadow of the Prague spring, he wrote the despairing poem "Believe in the future" (相信未来 xiangxin weilai), which spread like wildfire among the red guard generation:

Other noted poetry from the period, circulated widely in samizdat fashion, includes Beijing 4:08 PM, about the melancholy of the sent-down youth generation youth, leaving their homes for working in the countryside, and Three songs on fish, which captures the perplexity of the youth. His pen name Shi Zhi (index finger) became a byword among the Red Guard youth.

In 1978, amid a brief cultural thaw, Bei Dao and Mang Ke, editors of the poetry magazine Jiantian (Today), published some of Guo's poetry.

In the spring of 1979, when the Jiantian group organized China's first private poetry readings in Beijing's Yuyuantan Park, Chen Kaige (now a prominent film director) recited

Since the opening up of China, Guo Lusheng is emerging as a literary star from this

period. A collection of his poetry was published in 1998 by the prestigious Writer's publishing Company, mediated by poet and friend Lin Mang. In 2001, he won the People's Literature Prize^[5]

He continues to write on themes related to the mental hospital, where he is frequently visited by

References

1. ^Bei Dao: Stanford Presidential Lecture
2. ^http://muse.jhu.edu/login?uri=/journals/manoa/v014/14.1zhang.pdf
3. ^http://www.asialiteraryreview.com/web/article/en/218
4. ^¹²{{cite journal|author = Zhang Lijia|title = Mad Dog: The Legend of Chinese Poet Guo Lusheng|journal=Manoa|year = 2002|volume =14| issue = 2}} see edited excerpts in
5. ^¹{{cite book |title=Encyclopedia of Contemporary Chinese Culture |editor= Edward L. Davis|url=https://books.google.com/books?id=U2cO7tjYIK0C&pg=PA326 |isbn=978-0-203-64506-2 |year=2004}}
6. ^{{cite news|title=Hell and back|author = Lijia MacLeod|date= date illegible; maybe June 1999 |url = http://www.lijiazhang.com/downloads/files/Hell_and_back.pdf}} has newspaper photograph (source not legible) from ca. 2000.
7. ^http://www.ou.edu/worldlit/onlinemagazine/2007July/4three-poets.pdf
8. ^http://international.poetryinternationalweb.org/piw_cms/cms/cms_module/index.php?obj_id=270
9. ^http://eastbaltimoremuse.blogspot.com/2008/10/hand-of-poet-world-literature-today.html
10. ^{{cite book |title=AUTODAFE, Volume 2 |editor= Russell Banks |publisher=International Parliament of Writers |url=https://books.google.com/books?id=SI4_lGU8F9oC&pg=PA1178 |isbn=978-1-58322-262-1 |year=2003}} p. 1178