| 词条 | La Ronde (1950 film) |
| 释义 |
| name = La Ronde | image = Larondeposter.jpg | caption = Theatrical poster | director = Max Ophüls | producer = Ralph Baum Sacha Gordine | based on = {{Based on|La Ronde|Arthur Schnitzler}} | screenplay = Jacques Natanson Max Ophüls | starring = Simone Signoret Serge Reggiani Simone Simon | music = Oscar Straus | cinematography = Christian Matras | editing = Léonide Azar | distributor = | released = {{Film date|df=y|1950|9|27}} | runtime = 95 minutes | country = France | language = French | budget = | gross =1,515,560 admissions (France)[1] }} La Ronde is a 1950 French film directed by Max Ophüls and based on Arthur Schnitzler's 1897 play La Ronde. Set in Vienna in 1900, it shows ten amorous encounters across the social spectrum, from a street prostitute to a nobleman, with each scene involving one character from the previous episode. The French term 'La Ronde' can mean any of the following: circling around, doing the rounds, a round of drinks, a circular dance. The film won the BAFTA award for Best Film and was nominated for two Academy Awards; for Best Writing and Best Art Direction.[2] PlotThe master of ceremonies opens proceedings by telling the audience that they will see various episodes in the endless waltz of love. A prostitute takes a soldier under a bridge. The soldier picks up a chambermaid at a dance hall. The chambermaid willingly succumbs to the son of her employers. The young man starts an affair with the young wife of an older businessman. She then has an edgy discussion in bed with her husband. The husband takes a shopgirl to a private dining room and gets her drunk. The shopgirl falls for a poet, who is pursuing an affair with an actress. The actress invites a count to visit her in bed next morning. That evening, he gets drunk and ends up in the bed of the prostitute, so completing the circle. CastIn order of appearance:
ProductionAlthough at the time of production, Schnitzler's son was still enforcing his father's stipulation that the play — Reigen (or La Ronde) — should never be performed or adapted, Ophuls was able to secure the rights to it because of Schnitzler's additional stipulation that his French-language translator was to own the rights to the French version. CensorshipThe film was classified by New York film censors as "immoral" and therefore unacceptable for public screenings. At the end of 1953, the film's producers appealed to the U.S. Supreme Court and, in 1954, La Ronde was approved for exhibition in New York without any cuts.[3] See also
References1. ^{{cite web|url=http://www.boxofficestory.com/box-office-gerard-philipe-c25784244|website=Box Office Story|title=Box Office Success of Gerard Philippe films}} 2. ^{{cite web |url=https://movies.nytimes.com/movie/65979/La-Ronde/details |title=NY Times: La Ronde |accessdate=21 December 2008|work=The New York Times}} 3. ^{{cite news |title=HIGH COURT TO SEE TWO BANNED FILMS / Appeals From Rulings on 'M' and 'La Ronde' Call States' Action Unconstitutional|work=The New York Times|author=Special to The New York Times|date=January 1, 1954|accessdate=February 17, 2019| url=https://timesmachine.nytimes.com/timesmachine/1954/01/01/83743609.html?pageNumber=15}} External links
15 : 1950 films|1950s drama films|Adultery in films|French anthology films|Films about prostitution in Austria|French films based on plays|Films based on works by Arthur Schnitzler|Films directed by Max Ophüls|Films set in the 1890s|Films set in Vienna|French films|French drama films|French romantic comedy films|Best Film BAFTA Award winners|Films scored by Oscar Straus |
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