| 词条 | Millie (film) |
| 释义 |
| name = Millie | image = Millie 1931 poster.jpg | caption = Theatrical poster | director = John Francis Dillon | producer = Charles R. Rogers Harry Joe Brown (assoc.)[1] | writer = Charles Kenyon Ralph Morgan[2] | based on = {{based on|the novel, Millie|Donald Henderson Clarke}} | starring = Helen Twelvetrees | music = Arthur Lange[2] Nacio Herb Brown | cinematography = Ernest Haller[2] | editing = Fred Allen[2] | distributor = RKO Radio Pictures | released = {{Film date|1931|2|6|Premiere-New York City|1931|2|8|US| ref1= [3]|ref2=[3]}} | runtime = 85 minutes | country = United States | language = English | budget = |}} Millie (1931) is a pre-Code drama film directed by John Francis Dillon from a screenplay by Charles Kenyon and Ralph Morgan, based on a novel of the same name by Donald Henderson Clarke. The film was an independent production by Charles R. Rogers, distributed by RKO Radio Pictures, after their acquisition of Pathé Exchange. It stars Helen Twelvetrees in one of her best roles, with a supporting cast that includes Lilyan Tashman, James Hall, Joan Blondell, John Halliday and Anita Louise. PlotMillie (Helen Twelvetrees) is a naive young woman who marries a wealthy man from New York, Jack Maitland (James Hall). Three years later, unhappy in her marriage due to her husband's continued infidelity, she asks for and receives a divorce. Because of her pride, she does not want his money, but she also does not want to deprive her daughter of a comfortable lifestyle. She allows Jack and his mother (Charlotte Walker) to retain custody of her daughter Connie (Anita Louise). Focusing on her career, she rises through the hierarchy of the hotel where she is employed, shunning the attention of the rich banker Jimmy Damier (John Halliday), preferring the attentions of the reporter Tommy Rock (Robert Ames), although, due to her prior sour relationship, she refuses to marry him. Eventually, Millie is promoted to the head of operations for the hotel. At the same time, Tommy is offered a lucrative position at the bank by Damier as a favor to Millie. However, at the celebration party, Millie discovers that Tommy, just like Maitland, is cheating on her. Betrayed a second time, Millie becomes very bitter. With her female cohorts, Helen and Angie (Lilyan Tashman and Joan Blondell, respectively), she becomes a woman who loves a good time, floating from man to man. This goes on for several years, until she hears that Damier has taken an interest in her teen-age daughter, Connie, who bears a striking resemblance to her. Millie warns Damier to leave her daughter alone, but, although he promises to stay away from Connie, he ignores Millie's warning and takes Connie to a remote lodge to seduce her. Millie is tipped off, goes to the lodge with a gun, confronts Jimmy and kills him. In the ensuing murder trial, Millie tries to keep her daughter's name out of the press and claims not to remember why she shot Jimmy. She says that another woman ran out of the lodge after the shot, but claims that she did not see who the woman was and has no idea as to her identity. The prosecution thus claims that Millie's motive was jealousy of Jimmy's romantic relationship with this unknown other woman. Millie's friends, however, help to bring out the truth, and when the jury finds out that Millie's true motive was to protect her daughter from Jimmy's lascivious intentions, they acquit her. In the end, Millie is reunited with her daughter and her estranged husband's family. Cast
(Cast as per AFI's database)[3] ProductionDonald Henderson Clarke finished his novel, Millie, during summer 1930.[4] The novel was first offered to Metro-Goldwyn-Mayer, who passed on it due to its racy content.[5] In August of that year, it was reported that Charles R. Rogers had purchased the film rights to the novel, and had signed Charles Kenyon to adapt it into a screenplay, as well as selecting John Francis Dillon to direct.[6] Although Rogers had signed an agreement to distribute his independent films through RKO, it was reported that he would be overseeing the production on the Universal lot.[7] Even though he was incorrectly identified as "Ralph Murphy", Ralph Morgan was signed to collaborate with Kenyon on the screenplay adaptation in September.[8] Less than a week later, Helen Twelvetrees signed on for the titular role;[9] and it was reported that the screenplay adaptation had been completed.[5] Rogers would choose Ernest Haller to shoot the film and sign him for the project in the beginning of October.[10]In January RKO announced the film would be released in February,[11] and it was released on February 8, 1931.[3] NotesThe film was an independent production by Charles Rogers, but became the property of RKO when he agreed to become their production chief.[12] The theme song, "Millie", had words and music by Nacio Herb Brown.[3] In 1959, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication.[13] The film's tagline was "Torn From Her Arms ... Child Of Love A Woman Can Give But Once."[1] References1. ^1 {{cite web | url=http://cinema.theiapolis.com/movie-2N8G/millie/ | title=Millie: Technical Details | publisher=theiapolis.com | accessdate= August 11, 2014 }} 2. ^1 {{cite web | url=http://www.tcm.com/tcmdb/title/2370/Millie/ |title=Millie, Credits | publisher=Turner Classic Movies | accessdate=August 11, 2014 | archiveurl=https://web.archive.org/web/20140811214456/http://www.tcm.com/tcmdb/title/2370/Millie/ | archivedate=August 11, 2014}} 3. ^1 2 3 4 5 6 {{cite web | url=http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=4499 |title=Millie: Detail View | publisher=American Film Institute | accessdate=December 30, 2016 |archiveurl=https://web.archive.org/web/20150920042018/http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=4499 |archivedate=September 20, 2015}} 4. ^{{cite news | newspaper=The Film Daily | title=Along the Rialto | last=Daly | first=Phil M. | date=April 17, 1930 | page=5 | url=https://archive.org/stream/filmdailyvolume55152newy#page/940/mode/2up/search/Millie}} 5. ^1 {{cite news | newspaper=Variety | title=Rogers Chances "Millie" | date=September 24, 1930 | page=5 | url=https://archive.org/stream/variety100-1930-09#page/n227/mode/2up/search/Millie}} 6. ^{{cite news | newspaper=The Film Daily | title=Hollywood Flashes | date=August 30, 1930 | page=3 | url=https://archive.org/stream/filmdailyvolume55354newy#page/554/mode/2up/search/Millie}} 7. ^{{cite news | newspaper=Motion Picture News | title=Don Clarke's Story To Be First Rogers Film | date=August 23, 1930 | page=26 | url=https://archive.org/stream/motionpic42moti#page/n667/mode/2up/search/Millie}} 8. ^{{cite news | newspaper=The Film Daily | title=Hollywood Activities | date=September 21, 1930 | page=29 | url=https://archive.org/stream/filmdailyvolume55354newy#page/850/mode/2up/search/Millie}} 9. ^{{cite news | newspaper=The Film Daily | title=Hollywood Happenings | date=September 24, 1930 | page=6 | url=https://archive.org/stream/filmdailyvolume55354newy#page/878/mode/2up/search/Millie}} 10. ^{{cite news | newspaper=The Film Daily | title=A Little from "Lots" |last=Wilk | first=Ralph | date=October 12, 1930 | page=4 | url=https://archive.org/stream/filmdailyvolume55354newy#page/1016/mode/2up/search/Millie}} 11. ^{{cite news | newspaper=The Film Daily | title="Cimarron" and "Millie" Releases | date=January 22, 1931 | page=3 | url=https://archive.org/stream/filmdailyvolume555newy#page/186/mode/2up/search/Millie}} 12. ^{{cite book | title=The RKO Story | last1=Jewell | first1=Richard B. | last2=Harbin | first2=Vernon | publisher=Arlington House | year=1982 | place=New York | page=32 |ISBN=0-517-546566}} 13. ^{{cite journal|last=Pierce|first=David|date=June 2007|title=Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain|journal=Film History: An International Journal|volume=19|issue=2|pages=125–43|issn=0892-2160|oclc=15122313|jstor=25165419|doi=10.2979/FIL.2007.19.2.125}} See Note #60, pg. 143. External links
10 : 1931 films|1930s drama films|Adultery in films|American films|American drama films|American black-and-white films|English-language films|Films based on American novels|Films directed by John Francis Dillon|Films made before the MPAA Production Code |
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