| 词条 | Patton (film) |
| 释义 |
| name = Patton | image = 70 patton.jpg | caption = Theatrical release poster | director = Franklin J. Schaffner | producer = Frank McCarthy | screenplay = {{Plainlist|
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}} | music = Jerry Goldsmith | cinematography = Fred J. Koenekamp | editing = Hugh Fowler | distributor = 20th Century Fox | released = {{Film date|1970|2|4|New York City|1970|4|2|United States}} | runtime = 170 minutes | country = United States | language = {{ubl|English|German|French}} | budget = $12.6 million[1] | gross = $61.8 million (United States)[2] }} Patton is a 1970 American epic biographical war film about U.S. General George S. Patton during World War II. It stars George C. Scott, Karl Malden, Michael Bates and Karl Michael Vogler. It was directed by Franklin J. Schaffner from a script by Francis Ford Coppola and Edmund H. North, who based their screenplay on the biography Patton: Ordeal and Triumph by Ladislas Farago and Omar Bradley's memoir A Soldier's Story. The film was shot in 65 mm Dimension 150 by cinematographer Fred J. Koenekamp and has a music score by Jerry Goldsmith. Patton won seven Academy Awards, including Best Picture, Best Director and Best Original Screenplay. Scott won Best Actor for his portrayal of General Patton, but declined to accept the award.[3] The opening monologue, delivered by George C. Scott as General Patton with an enormous American flag behind him, remains an iconic and often quoted image in film. The film was successful,[4] and in 2003, Patton was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". The Academy Film Archive preserved Patton in 2003.[5]PlotGeneral George S. Patton addresses an unseen audience of American troops to raise their morale, focusing in particular on the value placed on winning by American society. Following the humiliating American defeat at the Battle of the Kasserine Pass in 1943, Patton is placed in charge of the American II Corps in North Africa. Upon his arrival, he immediately starts enforcing discipline among his troops. Patton is then summoned to a meeting with Air Marshal Coningham of the Royal Air Force, where he claims that the American defeat was caused by lack of air cover. Coningham promises Patton that he will see no more German aircraft – but seconds later the compound is strafed by Luftwaffe planes. Patton then defeats a German attack at the Battle of El Guettar; his aide Captain Jenson is killed in the battle, and is replaced by Lieutenant Colonel Codman. Patton is bitterly disappointed to learn that Erwin Rommel, commander of the German-Italian Panzer Army, was on medical leave, but Codman reassures him that: "If you've defeated Rommel's plan, you've defeated Rommel." After success in the North Africa campaign, Patton and Bernard Montgomery come up with competing plans for the Allied invasion of Sicily. Patton's proposal to land his Seventh Army in the northwest of the island with Montgomery in the southeast (therefore potentially trapping the German and Italian forces in a pincer movement) initially impresses their superior General Alexander, but General Eisenhower rejects it in favor of Montgomery's more cautious plan, which places Patton's army in the southeast, covering Montgomery's flank. While the landing is successful, the Allied forces become bogged down, causing Patton to defy orders and advance northwest to Palermo, and then to the port of Messina in the northeast, narrowly beating Montgomery to the prize, although several thousand German and Italian troops are able to flee the island. Patton insists that his feud with Montgomery is due to the latter's determination to be the "war hero," and to deny the Americans any chance of glory. However, his actions do not sit well with his subordinates Bradley and Lucian Truscott. While on a visit to a field hospital, Patton notices a shell-shocked soldier crying. Calling him a coward, Patton slaps the soldier and even threatens to shoot him, before demanding his immediate return to the front line. Patton is relieved of command and, by order of Eisenhower, forced to apologize to the soldier, others present, and to his entire command. As a result, he is also sidelined during the D-Day landings in 1944, being placed in command of the decoy phantom First United States Army Group in southeast England. German General Alfred Jodl is convinced that Patton will lead the invasion of Europe. After begging his former subordinate Bradley for a command before the war ends, Patton is placed under him in command of the Third Army and performs brilliantly by rapidly advancing through France, but his tanks are brought to a standstill when they run out of fuel – the supplies being allocated to Montgomery's bold Operation Market Garden, much to his fury. Later, during the Battle of the Bulge, Patton brilliantly relieves the town of Bastogne and then smashes through the Siegfried Line and into Germany. At a war drive in Knutsford, England, General Patton remarks that the United States and the United Kingdom would dominate the post-war world, viewed as an insult to the Soviet Union. After Germany capitulates, Patton directly insults a Russian general at a dinner; the Russian insults Patton right back, much to Patton's amusement. Patton then makes an offhand remark comparing the Nazi Party to American political parties. Ultimately, Patton's outspokenness loses him his command once again, though he is kept on to see to the rebuilding of Germany, where a runaway oxcart narrowly misses him. Finally, Patton is seen walking Willie, his bull terrier, across the German countryside. Patton's voice is heard relating that a returning hero of ancient Rome was honored with a "triumph," a victory parade in which "a slave stood behind the conqueror, holding a golden crown, and whispering in his ear a warning: that all glory ... is fleeting." Cast{{div col}}
ProductionScript preparationAttempts to make a film about the life of Patton had been ongoing for over fifteen years, commencing in 1953.[7] Eventually, the Patton family was approached by the producers for help in making the film. The filmmakers desired access to Patton's diaries, as well as input from family members. However, the producers contacted the family the day after Beatrice Ayer Patton, the general's widow, was buried, and the family refused to provide any assistance to the film's producers. In the end, screenwriters Francis Ford Coppola and Edmund H. North wrote the script based largely on Ladislas Farago's biography Patton: Ordeal and Triumph, and on A Soldier's Story, the autobiography of General of the Army Omar Bradley (who features prominently in the film). Bradley served as a consultant for the film though the extent of his influence and input into the final script is largely unknown. While Bradley knew Patton personally, it was also well-known that the two men were polar opposites in personality, and there is evidence to conclude that Bradley despised Patton, both personally and professionally.[8][9] As the film was made without access to General Patton's diaries, it largely relied upon observations by Bradley and other military contemporaries when they attempted to reconstruct Patton's thoughts and motives.[10] In a review of the film, Brigadier General S.L.A. Marshall, who knew both Patton and Bradley, stated, "The Bradley name gets heavy billing on a picture of [a] comrade that, while not caricature, is the likeness of a victorious, glory-seeking buffoon.... Patton in the flesh was an enigma. He so stays in the film.... Napoleon once said that the art of the general is not strategy but knowing how to mold human nature.... Maybe that is all producer Frank McCarthy and Gen. Bradley, his chief advisor, are trying to say."[10] OpeningThe film opens with Scott's rendering of Patton's speech to the Third Army, set against a huge American flag.[11] Coppola and North had to tone down Patton's actual words and statements in the scene, as well as throughout the rest of the film, to avoid an R rating; in the opening monologue, the word fornicating replaced fucking when he was criticizing The Saturday Evening Post. Also, Scott's gravelly and scratchy voice is the opposite of Patton's high-pitched, nasal and somewhat squeaky voice, a point noted by historian S.L.A. Marshall.[10] However, Marshall also points out that the film contains "too much cursing and obscenity [by Patton]. Patton was not habitually foul-mouthed. He used dirty words when he thought they were needed to impress."[10] When Scott learned that the speech would open the film, he refused to do it, as he believed that it would overshadow the rest of his performance. Director Schaffner assured him that it would be shown at the end. The scene was shot in one afternoon at Sevilla Studios in Madrid, with the flag having been painted on the back of the stage wall.[12] All the medals and decorations shown on Patton's uniform in the monologue are replicas of those actually awarded to Patton. However, the general never wore all of them in public and was in any case not a four-star general at the time he made the famous speeches on which the opening is based. He wore them all on only one occasion, in his backyard in Virginia at the request of his wife, who wanted a picture of him with all his medals. The producers used a copy of this photo to help recreate this "look" for the opening scene. LocationsMost of the film was shot in Spain. One scene, which depicts Patton driving up to an ancient city that is implied to be Carthage, was shot in the ancient Roman city of Volubilis, Morocco. The early scene, where Patton and Muhammed V are reviewing Moroccan troops including the Goumiers, was shot at the Royal Palace in Rabat. One unannounced battle scene was shot the night before, which raised fears in the Royal Palace neighborhood of a coup d'état. One paratrooper was electrocuted in power lines, but none of this battle footage appears in the film. The scene at the dedication of the welcome centre in Knutsford, Cheshire, England, was filmed at the actual site. The scenes set in Africa and Sicily were shot in the south of Spain (Almeria), while the winter scenes in Belgium were shot near Segovia (to which the production crew rushed when they were informed that snow had fallen).[13] It has been noted that in the scene where Patton arrives to establish his North African command, a supposedly "Arab" woman is selling "pollos y gallinas" (chickens and hens) in Spanish, which is not normally spoken by local people in Tunisia (though it is in the north of Morocco, Spanish Protectorate from 1912 to 1956). Use of footageA sizeable amount of battle scene footage was left out of the final cut of Patton, but a use was soon found for it. Outtakes from Patton were used to provide battle scenes in the made-for-TV film Fireball Forward, which was first broadcast in 1972. The film was produced by Patton producer Frank McCarthy and Edmund North wrote the screenplay. One of the cast members of Patton, Morgan Paull, appeared in this production.[14] MusicThe critically acclaimed score for Patton was composed and conducted by the prolific composer Jerry Goldsmith. Goldsmith used a number of innovative methods to tie the music to the film, such as having an echoplex loop recorded sounds of "call to war" triplets played on the trumpet to musically represent General Patton's belief in reincarnation. The main theme also consisted of a symphonic march accompanied by a pipe organ to represent the militaristic yet deeply religious nature of the protagonist.[15] The music to Patton subsequently earned Goldsmith an Oscar nomination for Best Original Score and was one of the American Film Institute's 250 nominees for the top twenty-five American film scores.[16] The original soundtrack has been released three times on disc and once on LP: through Twentieth-Century Fox Records in 1970, Tsunami Records in 1992, Film Score Monthly in 1999, and a two-disc extended version through Intrada Records in 2010.[15][17] 2010 Intrada Records AlbumDisc One{{Tracklist| collapsed = yes | headline = Original Motion Picture Soundtrack | title1 = Patton Salute (Solo Bugle) | length1 = 0:44 | title2 = Main Title | length2 = 3:08 | title3 = The Battleground | length3 = 2:14 | title4 = The Cemetery | length4 = 2:42 | title5 = The First Battle | length5 = 2:50 | title6 = The Funeral | length6 = 1:54 | title7 = The Hospital | length7 = 3:36 | title8 = The Prayer | length8 = 1:11 | title9 = No Assignment | length9 = 2:23 | title10 = Patton March | length10 = 1:53 | title11 = Attack | length11 = 3:15 | title12 = German Advance | length12 = 2:32 | title13 = An Eloquent Man | length13 = 1:43 | title14 = The Payoff | length14 = 2:26 | title15 = A Change Of Weather | length15 = 1:23 | title16 = Pensive Patton | length16 = 0:16 | title17 = End Title | length17 = 2:20 | title18 = Echoplex Session | length18 = 5:29 }} Disc Two{{Tracklist| collapsed = yes | headline = Original 1970 Score Album | title1 = Patton Speech (spoken by George C. Scott) | length1 = 4:54 | title2 = Main Title | length2 = 2:17 | title3 = The Battleground | length3 = 2:19 | title4 = The First Battle | length4 = 2:48 | title5 = Attack | length5 = 3:14 | title6 = The Funeral | length6 = 1:53 | title7 = Winter March | length7 = 1:55 | title8 = Patton March | length8 = 2:04 | title9 = No Assignment | length9 = 1:59 | title10 = German Advance | length10 = 2:31 | title11 = The Hospital | length11 = 3:18 | title12 = The Payoff | length12 = 2:22 | title13 = End Title & Speech (spoken by George C. Scott) | length13 = 1:01 | title14 = End Title (sans dialogue) | length14 = 1:11 }} DistributionFirst telecastPatton was first telecast by ABC-TV as a three hours-plus color film special in the fall of 1972, only two years after its theatrical release. That was highly unusual at the time, especially for a roadshow theatrical release, which had played in theatres for many months. Most theatrical films at that time had to wait at least five years for their first telecast. Another unusual element of the telecast was that almost none of Patton's profanity-laced dialogue was cut (only two sentences, one of which contained no profanity, were cut from the famous opening speech in front of the giant US flag). Home mediaIn 1977, Patton was among the first 50 VHS and Betamax releases from Magnetic Video. The film would be released on Laserdisc in 1981, also by Magnetic Video. A widescreen version was released in 1989, which includes four newsreels about the real Patton. A THX-certified Laserdisc would be released on July 9, 1997, trading the newsreels for many new features. A THX-certified widescreen VHS was also released in 1998 by the same distributor, 20th Century Fox Home Entertainment Patton was first released on DVD in 1999, featuring a partial audio commentary by a Patton historian, and again in 2006, with a commentary by screenwriter Francis Ford Coppola and extra bonus features. The film made its Region A (locked) Blu-ray debut in 2008 to much criticism, for its excessive use of digital noise reduction on the picture quality. In 2012, a remaster was released with much improved picture quality.[18] In June 2013, Fox UK released the film on Region B Blu-ray but reverted to the 2008 transfer. ReactionBox OfficeAccording to Fox records the film required $22,525,0,000 in rentals to break even and by 11 December 1970 had made $27,650,000 so made a profit to the studio.[19] Critical responseRoger Ebert said of George C. Scott, "It is one of those sublime performances in which the personalities of the actor and the character are fulfilled in one another."[20] Gene Siskel gave the film three stars out of four and wrote that George C. Scott "has created an acting tour de force," but found it "repetitive — the second half doesn't tell us anything more than the first."[21] Vincent Canby of The New York Times wrote, "The most refreshing thing about 'Patton' is that here—I think for the first time—the subject matter and the style of the epic war movie are perfectly matched ... Although the cast is large, the only performance of note is that of Scott, who is continuously entertaining and, occasionally, very appealing."[22] Charles Champlin of the Los Angeles Times wrote, "'Patton' has, like 'Lawrence of Arabia,' done the near-impossible by creating a finely detailed portrait despite all the tuggings toward simplification which are inevitable in the big budget, long, loud roadshow production desperate to attract mass audiences. As Patton, George Scott gives one of the great and unforgettable screen characterizations."[23] Gary Arnold of The Washington Post wrote that the film "eventually shares the dramatic limitations, as well as the visual triumphs, of 'Lawrence of Arabia': yet another fascinating but inconclusive portrait of a mercurial military leader. The camera focus is sharp, but the dramatic focus is blurred. We never quite understand Patton in historical context, in relation to the other generals of the period, and to the entire Allied war effort."[24] Pauline Kael of The New Yorker wrote that "technically the movie is awesomely impressive," but went on to state that "I'm sure it will be said that the picture is 'true' to Patton and to history, but I think it strings us along and holds out on us. If we don't just want to have our prejudices greased, we'll find it confusing and unsatisfying, because we aren't given enough information to evaluate Patton's actions."[25] John Gillett of The Monthly Film Bulletin wrote, "While communicating a relish for the man with all his warts, [Schaffner] also pinpoints the monstrous prejudices which lay beneath the surface. And, of course, he chose the right actor. Karl Malden's Bradley is neatly observed and the German players are good, but Scott's performance rightly dwarfs all the rest."[26]Online film critic James Berardinelli has called Patton his favorite film of all time[27] and "to this day one of Hollywood's most compelling biographical war pictures."[28] According to Bob Woodward and Carl Bernstein's book The Final Days, it was also Richard Nixon's favorite film. He screened it several times at the White House and during a cruise on the Presidential yacht. Before the 1972 Nixon visit to China, Chinese Premier Zhou Enlai watched this film in preparation for his meeting with Nixon. Review aggregate website Rotten Tomatoes reported that 95% of critics gave the film a positive review based on 44 reviews, with an average score of 8.4/10. Rotten Tomatoes summarizes the critical consensus as, "George C. Scott's sympathetic, unflinching portrayal of the titular general in this sprawling epic is as definitive as any performance in the history of American biopics."[29] AccoladesIn 1971, Scott's performance won him an Academy Award for Best Actor at the 43rd Academy Awards. He famously refused to accept it, citing a dislike of the voting process and the concept of acting competitions. He was the first actor to do so.[30] The film won six additional Academy Awards, for Best Picture, Best Director, Best Original Screenplay, Best Film Editing, Best Sound (Douglas Williams and Don Bassman), and Best Art Direction (Art Direction: Urie McCleary and Gil Parrondo; Set Decoration: Antonio Mateos and Pierre-Louis Thévenet).[31] The Best Picture Oscar is on display at the George C. Marshall Museum at the Virginia Military Institute, courtesy of Frank McCarthy. It was nominated for Best Cinematography, Best Visual Effects and Best Music, Original Score.[32] In 2006, the Writers Guild of America selected Francis Ford Coppola and Edmund North's adapted screenplay as the 94th best screenplay of all time. American Film Institute Lists
SequelA made-for-television sequel, The Last Days of Patton, was produced in 1986. Scott reprised his title role. The film was based on Patton's final weeks after being mortally injured in a car accident, with flashbacks of Patton's life. See also{{Portal|Academy Award|Film|War}}
Notes1. ^Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. {{ISBN|978-0-8108-4244-1}}. p256 2. ^{{Cite web|url=http://boxofficemojo.com/movies/?id=patton.htm|publisher=Box Office Mojo|title=Patton, Box Office Information|accessdate=January 29, 2012}} 3. ^{{cite web|url=http://www.totalfilm.com/reviews/dvd/patton |title=Review of Patton |author=TotalFilm |accessdate=2006-04-24 |deadurl=yes |archiveurl=https://web.archive.org/web/20110705124124/http://www.totalfilm.com/reviews/dvd/patton |archivedate=July 5, 2011 }} 4. ^{{cite news|first=Nathan |last=Rabin |coauthors= |title=Patton |date=May 24, 2006 |publisher= |url=http://www.avclub.com/content/node/48785 |work=AV Club |pages= |accessdate=2007-01-07 |language= |deadurl=yes |archiveurl=https://web.archive.org/web/20070202132747/http://www.avclub.com/content/node/48785 |archivedate=February 2, 2007 |df= }} 5. ^{{cite web|title=Preserved Projects|url=http://www.oscars.org/academy-film-archive/preserved-projects?title=patton&filmmaker=&category=All&collection=All|website=Academy Film Archive}} 6. ^{{Cite web |first=Rupert |last=Cornwell |title=Rod Steiger, 'brooding and volatile' Hollywood tough guy for more than 50 years, dies aged 77 |date=2002-07-10 |url=https://www.independent.co.uk/arts-entertainment/films/news/rod-steiger-brooding-and-volatile-hollywood-tough-guy-for-more-than-50-years-dies-aged-77-647871.html |publisher=The Independent |accessdate=2009-05-21}} 7. ^{{cite book |title=The Duke, the Longhorns, and Chairman Mao: John Wayne's Political Odyssey |first=Steven |last=Travers |year=2014 |publisher=Taylor Trade Publishing |oclc=857277430}} 8. ^{{cite book |last=D'Este |first=Carlo |title=Patton: A Genius For War |location=New York |publisher=HarperCollins |isbn=0-06-016455-7 |date=1995 |pages=466–467}} 9. ^{{cite book |last=D'Este |first=Carlo |title=Eisenhower: A Soldier's Life |location=New York |publisher=Henry Holt & Co. |date=2002 |pages=403–404}} 10. ^1 2 3 {{cite journal | last=Marshall | first=S.L.A. | date=March 21, 1970 | title=Great Georgie Redone | journal=The Charleston Gazette | volume=4 | page=4}} 11. ^≠°Travers, Steven. The Duke, the Longhorns, and Chairman Mao: John Wayne's Political Odyssey." 12. ^{{cite journal |last1=Mitchell |first1=George J. |title=The Photography of Patton |journal=After the Battle |date=1975 |issue=7 |pages=38–43 |url=https://www.scribd.com/doc/38610171/Patton-HQ-Magazines}} 13. ^{{cite web|url=http://www.in70mm.com/news/2003/patton/index.htm|title=The Photography of "Patton"|first=George J.|last=Mitchell|website=in70mm.com}} 14. ^{{cite web|title=Fireball Forward - Rotten Tomatoes|url=http://www.rottentomatoes.com/m/fireball_forward/|publisher=Flixster, Inc.|accessdate=12 November 2012}} 15. ^1 Clemmensen, Christian. Patton soundtrack review at Filmtracks.com. Retrieved 2011-04-22. 16. ^AFI's 100 Years Of Film Scores {{webarchive|url=https://web.archive.org/web/20110716071543/http://connect.afi.com/site/DocServer/scores250.pdf?docID=221 |date=2011-07-16 }} from the American Film Institute. Retrieved 2011-04-22. 17. ^{{cite web | url = http://store.intrada.com/s.nl/it.A/id.6806/.f | title = Patton | publisher = Intrada Records | accessdate = October 21, 2012 }} 18. ^{{cite web |title=Patton (Remastered) |url=http://www.thedigitalbits.com/item/patton-remastered-brd |first=Barrie |last=Maxwell |date=November 8, 2012 |work=The Digital Bits}} 19. ^{{cite book|page=329|title=The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox|last=Silverman|first=Stephen M|year=1988|publisher=L. Stuart}} 20. ^{{cite web |url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20020317/REVIEWS08/203170301/1023 |title=Patton (1970) |author=Roger Ebert |publisher=rogerebert.com |date=March 17, 2002 |accessdate=December 1, 2009}} 21. ^Siskel, Gene (March 5, 1970). "Patton". Chicago Tribune. Section 2, p. 11. 22. ^Canby, Vincent (February 5, 1970). "The Screen: 'Patton: Salute to Rebel'". The New York Times. 33. 23. ^Champlin, Charles (February 15, 1970). "'Patton' Features George C. Scott as 'Old Blood and Guts'". Los Angeles Times. Calendar, p. 13. 24. ^Arnold, Gary (March 1, 1970). "Take Your Pick of War Heroes: General Patton". The Washington Post. F1-F2. 25. ^{{cite journal |last=Kael |first=Pauline |authorlink=Pauline Kael |date=January 31, 1970 |title=The Current Cinema |journal=The New Yorker |page=73 }} 26. ^{{cite journal |last=Gillett |first=John |authorlink=John Gillett |date=June 1970 |title=Patton: Lust For Glory |journal=The Monthly Film Bulletin |volume=37 |issue=437 |page=123 }} 27. ^{{cite web |url=http://preview.reelviews.net/top100/1.html |title=#1: Patton |publisher=reelviews.net}} 28. ^{{cite web |url=http://preview.reelviews.net/movies/p/patton.html |title=Patton |author=James Berardinelli |publisher=reelviews.net |accessdate=December 1, 2009}} 29. ^{{cite web |url=http://www.rottentomatoes.com/m/patton/ |title=Patton |publisher=RottenTomatoes.com |accessdate=May 31, 2014}} 30. ^{{cite web|url=http://www.ew.com/ew/article/0,,306200,00.html|website=Entertainment Weekly|title=1971: George C. Patton said no to Oscar|first=Tim|last=Purtell|date=April 16, 1993}} 31. ^{{Cite web|url=http://www.oscars.org/oscars/ceremonies/1971 |title=The 43rd Academy Awards (1971) Nominees and Winners |accessdate=2011-08-27|work=oscars.org}} 32. ^{{cite web |url=https://movies.nytimes.com/movie/37460/Patton/awards |title=NY Times: Patton |accessdate=2008-12-28|work=NY Times}} Further reading
External links{{wikiquote}}
42 : 1970 films|1970s drama films|1970s war films|1970s biographical films|American films|American drama films|American biographical films|American epic films|American war films|English-language films|Cultural depictions of George S. Patton|Cultural depictions of Erwin Rommel|Cultural depictions of Bernard Montgomery|War epic films|World War II films|World War II films based on actual events|North African Campaign films|Best Picture Academy Award winners|Biographical films about military leaders|Films about armoured warfare|Films set in the 1940s|Films set in Morocco|Films set in Tunisia|Films set in Sicily|Films set in France|Films set in Belgium|Films set in Germany|Films shot in Algeria|Films featuring a Best Actor Academy Award-winning performance|Films featuring a Best Drama Actor Golden Globe winning performance|Films that won the Best Sound Mixing Academy Award|Films whose art director won the Best Art Direction Academy Award|Films whose director won the Best Directing Academy Award|Films whose editor won the Best Film Editing Academy Award|Films whose writer won the Best Original Screenplay Academy Award|20th Century Fox films|Films directed by Franklin J. Schaffner|Screenplays by Francis Ford Coppola|Films scored by Jerry Goldsmith|Films about the United States Army|United States National Film Registry films|Films shot in Almería |
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