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词条 Carlo Montuori
释义

  1. Selected filmography

  2. References

  3. External links

{{Infobox person
| name = Carlo Montuori
| image =Carlo_Montuori_1935.jpg
| imagesize =
| caption =
| birth_name =
| birth_date = {{birth date|1885|8|3|df=yes}}
| birth_place = Casacalenda, Campobasso
| death_date = {{death date and age|1968|3|4|1885|8|3|df=yes}}
| death_place = Rome
| othername =
| website =
| spouse =
}}

Carlo Montuori (3 August 1885 - 4 March 1968) was an Italian cinematographer and cameraman.

Born in Casacalenda, Campobasso, at twelve Montuori moved to Milan to live with his uncle, a photographer and a painter; in Milan he attended the Polytechnic University and followed courses in painting at the Brera Academy.[1] He approached cinema in 1907 working in the production company "Comerio & C." and debuting as an operator in Dalla pietà all'amore, a 1909 Luca Comerio's documentary film about the 1908 Messina earthquake.[1] At the same time Montuori started working at the photo studio Ganzini, where he learned the basics in the field of the use of artificial lighting.[1] Starting from 1911 Montuori was among the first in Italy to test the application of these techniques in film, inventing a device based on rudimentary arc lamps, made of carbon bound with wire and connected to the electric current through resistors.[1][2]

After collaborating with the Italian leading directors from the silent era such as Carmine Gallone and Augusto Genina, in 1925 he collaborated at the Fred Niblo's blockbuster Ben-Hur, and in 1929 he was the cinematographer of Sole, the directorial debut of Alessandro Blasetti, with whom he establishing a professional relationship that lasted for eight films.[3]

After the war, Montuori "had a major role in the figurative culture of first neo-realism",[1] often collaborating with Luigi Zampa and winning a silver ribbon for best cinematography for his work in Vittorio De Sica's Bicycle Thieves.[4] His son Mario was also a cinematographer.[1]

Selected filmography

  • Marco Visconti (1925)
  • Goodbye Youth (1927)
  • Sun (1929)
  • Mother Earth (1931)
  • The Man with the Claw (1931)
  • The Table of the Poor (1932)
  • The Blue Fleet (1932)
  • Your Money or Your Life (1932)
  • Seconda B (1934)
  • Unripe Fruit (1934)
  • Stadium (1934)
  • Golden Arrow (1935)
  • Thirty Seconds of Love (1936)
  • The Dance of Time (1936)
  • The Ferocious Saladin (1937)
  • Abandon All Hope (1937)
  • For Men Only (1938)
  • A Lady Did It (1938)
  • They've Kidnapped a Man (1938)
  • Frenzy (1939)
  • Goodbye Youth (1940)
  • Sleeping Beauty (1942)
  • The Countess of Castiglione (1942)
  • Street of the Five Moons (1942)
  • Yes, Madam (1942)
  • The Courier of the King (1947)
  • Alarm Bells (1949)
  • Chains (1949)
  • The Bread Peddler (1950)
  • The Black Captain (1951)
  • The Dream of Zorro (1952)
  • Passionate Song (1953)
  • What Scoundrels Men Are! (1953)
  • Count Max (1957)

References

1. ^Stefano Masi, Storie della luce: i film, la vita, le avventure, le idee di 200 operatori italiani, L'Aquila 1983, pp. 153-56.
2. ^Alberto Lorenzi, Milano, il nostro secolo: Letteratura, teatro, divertimenti e personaggi del '900 milanese, Bramante, 1969, p. 87.
3. ^{{cite book|last=Gianni Canova|title=Enciclopedia del cinema|publisher=Garzanti Libri, 2009|page=831}}
4. ^{{cite book|last=Enrico Lancia|title=I premi del cinema|publisher=Gremese Editore, 1998|page=228}}

External links

  • {{IMDb name|0600341}}
{{Authority control}}{{DEFAULTSORT:Montuori, Carlo}}

6 : 1885 births|Italian cinematographers|People from the Province of Campobasso|Nastro d'Argento winners|Brera Academy alumni|1968 deaths

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