“Atlantean language”的意思、由来-开放百科全书

The Atlantean language is a constructed language created by Marc Okrand for the Disney film The Lost Empire. The language was intended by the script-writers to be a possible "mother language", and Okrand crafted it to include a vast Indo-European word stock with its very own grammar, which is at times described as highly agglutinative, inspired by Sumerian and North American languages.

Creation

The Atlantean language (Dig Adlantisag) is a historically constructed, artistic language put together by Marc Okrand for Disney's 2001 film Atlantis: The Lost Empire and associated media.^[1] The Atlantean language is therefore based both on historic reconstructions as well as on the elaborate fantasy/science fiction of the Atlantis: The Lost Empire mythos. The fictional principles upon which the Atlantean language was created are: Atlantean is the “Tower of Babel language”, the “root dialect” from which all languages descended; it has existed without change since sometime before 100,000 B.C., within the First or Second Age of Atlantis until the present.

To accomplish this, Dr. Okrand looked for common characteristics from various world languages and was also heavily inspired by the Proto-Indo-European language. His main source of words (roots and stems) for the language is Proto-Indo-European,^[1] but Okrand combines this with Biblical Hebrew, later Indo-European languages such as Latin and Greek, and a variety of other known or reconstructed ancient languages.^[2]^[3]^[4]

Writing systems

Atlantean has its own script created expressly for the movie by John Emerson with the help of Marc Okrand, and inspired by ancient alphabetical scripts, most notably Semitic. There are, however, different kinds of transliteration into the Roman script.

Atlantean Script

There is no punctuation or capitalization in the native Atlantean Writing System. Okrand based this on ancient writing systems. The Atlantean Script is normally in boustrophedon, that is to say it is written left to right for the first line, right to left the second, and left to right again the third, to continue the pattern. This order was also suggested by Okrand, based on ancient writing systems, and it was accepted because, as he explained, "It's a back-and-forth movement, like water, so that worked."^[1]^[5]

The Atlantean script includes more characters than are actually employed in the language itself. These letters being c, f, j, q, v, x, z, ch, or th, they were created so that Atlantean might be used as a simple cipher code in the media and for promotional purposes. They are all also based on diverse ancient characters, just like the rest of the alphabet.^[1]

Roman Script

Apart from the native Atlantean script created for the show, the language can be transcribed using the Roman script. There are two versions for doing so:

And the following is a table that shows the correspondences between the different modes of transcription and also provides the probable IPA values.^[5]^[8]^[9]

Numerals

John Emerson, Marc Okrand, and the filmmakers also created numerals for 0–9. They are stacked horizontally, however, and hold place values of 1, 20, and 400. Their components are based on Mayan numerals and internally composed for the font (example above) like Roman numerals. If used according to the now-offline Official Website's directions, they are used, alternatively, like Arabic numerals.^[1]^[6]^[10]

Numeral suffixes

Phonology

Consonants

Where symbols occur in pairs, the left represents the voiceless consonant and the right represents the voiced consonant.

1. ^¹²³⁴⁵⁶⁷⁸"Production Notes." Atlantis-The Lost Empire. Ed. Tim Montgomery, 1996–2007. The Unofficial Disney Animation Archive. 13 January 2007.Animationarchive.net{{Dead link|date=May 2012}}
2. ^Kalin-Casey, Mary. “Charting Atlantis the crew behind Disney’s latest animated adventure takes you behind the scenes.” Features Interviews. 17 January 2007 Reel.com {{webarchive|url=https://web.archive.org/web/20060118045634/http://www.reel.com/reel.asp?node=features%2Finterviews%2Fatlantis |date=January 18, 2006 }}
3. ^Murphy, Tab, Platon, David Reyolds, Gary Trousdale, Joss Whedon, Kirk Wise, Bryce Zabel, and Jackie Zabel. Atlantis the Lost Empire: The Illustrated Script [Abridged Version with Notes from the Filmmakers], 55.
4. ^{{cite web|first=Peter|last=Henn|url=http://www.filmjournal.com/filmjournal/esearch/article_display.jsp?vnu_content_id=1000692578|title=Finding Atlantis|date=June 1, 2001|accessdate=August 30, 2011|work=Film Journal International}}
5. ^¹Wloszczyna, Susan. “New movie trek for wordsmith.” USA Today Online. 24 May 2001. 12 Jan. 2007. [https://www.usatoday.com/life/movies/2001-05-24-atlantis-lingo.htm USA Today]
6. ^¹²Anderson, Matt. “Parlez-vous Atlantean?” Movie Habit. 12 January 2006 Moviehabit.com
7. ^Henning, Jeffery. “Atlantean: Language of the Lost Empire” Langmaker.com. Jeffrey Henning. 1996–2005. 12 January 2006 Langmaker.com {{webarchive|url=https://web.archive.org/web/20070108132121/http://www.langmaker.com/atlantean.htm |date=2007-01-08 }}[https://web.archive.org/web/20010602154546/http://www.animagic.hpg.com.br/donhahn.htm "Interview of Don Hahn on Atlantis!"] Animagic.Com. 3/26/01.
8. ^Kurtti, Jeff. Atlantis Subterranean Tours: A Traveler’s Guide to the Lost City (Atlantis the Lost Empire). New York: Disney Editions: 2001, Inside Front Cover.
9. ^Hahn, Don; Wise, Kirk; Trousdale, Gary et al. 2-Disc Collector’s Edition: Atlantis: The Lost Empire, especially Features "How to Speak Atlantean", "The Shepherd's Journal".
10. ^John, David. Atlantis: The Lost Empire: The Essential Guide. New York: Dorling Kindersley Publishing, Inc., 2001, 33.
11. ^Kurtti, Jeff. Atlantis Subterranean Tours: A Traveler’s Guide to the Lost City (Atlantis the Lost Empire). New York: Disney Editions: 2001, 60.
12. ^Kurtti, Jeff. Atlantis Subterranean Tours: A Traveler’s Guide to the Lost City (Atlantis the Lost Empire). New York: Disney Editions: 2001, 31.
13. ^¹Ehrbar, Greg. Atlantis: The Lost Empire. Milwaukee: Dark Horse Comics: June 2001.
14. ^Hahn, Don; Wise, Kirk; Trousdale, Gary et al. 2-Disc Collector’s Edition: Atlantis: The Lost Empire, 01 10 0:50:31.
15. ^With the exception of "mat", "mother", which takes the special Maternal Filial Suffix -tim. Note that the only other kinship term, "father", "tab", takes the usual -top.
16. ^As discussed in "The Shepherd's Journal" on the "Collector's DVD": ketub-kup (page 4) and setub-mok-en-tem (page 10), setub-mok-en-ag (page 5), and setub-kup (pages 1–4).
17. ^As discussed in "The Shepherd's Journal" on the "Collector's DVD": derup-tem and derup-nuh (page 5).
18. ^ The pronoun analog to the noun instrumental case suffix -esh. Appears in "First Mural Text" on the "Collector's DVD": tug-is.

Vowels

Atlantean's phonetic inventory includes a vowel system with the above five phonemes. Most vowels have two prominent allophonic realizations, depending on whether it occurs in a stressed or unstressed syllable.

Vowels in stressed syllables tend to be tense, and likewise unstressed ones tend to be more lax. Thus, for example, {{IPA|/i/}} is realized as {{IPAblink|i}} or {{IPAblink|ɪ}} in stressed and unstressed syllables, respectively. Likewise, {{IPA|/e/}} is realized as {{IPAblink|e}} or {{IPAblink|ɛ}}, and so on. There are three diphthongs, namely ay, ey, oy.

Aside from the stressed-syllable-based vowel system, the only other example of prominent phonological phenomenon seems to be a special kind of sandhi occurring in verbs, when the pronoun is combined with the aspect marker.

When the suffix for the first person singular -ik combines with tenses that employ -i, -o (Past and Future tenses), it becomes -mik.

But when combined with suffixes that feature -e (Present tenses), the same suffix becomes -kik.

Grammar

Atlantean has a very strict subject–object–verb word order, with no deviations from this pattern attested. Adjectives and nouns in the genitive case follow the nouns they modify, adpositions appear only in the form of postpositions, and modal verbs follow the verbs that they modify and subsequently take all personal and aspectual suffixes. However, adverbs precede verbs. The language includes the use of an interrogative particle to form questions with no variation in word order.^[1]

Some sentences appear to employ some kind of particles sometimes termed "sentence connectors". These particles are of obscure meaning but are theorized to relate two clauses in a logical yet idiomatic manner.^[1]

The exact meaning and usage of these particles is not known, but without them sentences are difficult to reconcile with their translations.

In the example above there is no actual mention of the consequences for outsiders, yet the subtitle in the movie translates it as a warning even without any mention of living or dying. A possibility exists that, in order to match the lip movement of the characters in the movie and the time of the dialogue, the language had to be shortened, often leaving out key parts of the sentence. It is known that the Atlantean lines in the movie were ad-libbed afterwards.

In this example the sentences seem to be better connected, and the particle is rendered as almost "but, yet". It is difficult to reconcile the two, however.

Nouns

Grammatical cases

Other suffixes

Nouns are marked as plural with the suffix -en. Case suffixes never precede the -en plural suffix. "-Mok" occurs after it.

Pronouns

Grammatical cases

Verbs

Verbs are inflected with two suffixes, one for tense/aspect and the next for person/number.^[1]

Creation

Writing systems

Atlantean Script

Roman Script

Numerals

Numeral suffixes

Phonology

Consonants

Vowels

Grammar

Nouns

Grammatical cases

Other suffixes

Pronouns

Grammatical cases

Verbs

Tense/aspect suffixes

Mood and Voice suffixes

See also

References

External links