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词条 Bonjour Tristesse (film)
释义

  1. Plot

  2. Cast

  3. Critical reception

  4. References

  5. External links

{{Use dmy dates|date=June 2013}}{{Infobox film
| name = Bonjour Tristesse
| image = Bonjour Tristesse film poster.jpg
| image_size =
| caption = Film poster, designed by Saul Bass
| director = Otto Preminger
| producer = Otto Preminger
| based on = {{based on|Bonjour tristesse
1954 novel|Françoise Sagan}}
| screenplay = Arthur Laurents
| starring = {{Plainlist|
  • Deborah Kerr
  • David Niven
  • Jean Seberg
  • Mylène Demongeot
  • Geoffrey Horne

}}
| music = Georges Auric
| cinematography = Georges Périnal
| editing = Helga Cranston
| distributor = Columbia Pictures
| released = {{Film date|1958|01|15|New York, US|df=y}}
| runtime = 94 minutes
| country = {{Plainlist|
  • United Kingdom
  • United States}}

| language = English
| budget =
| gross = $13.2 million[1]
}}

Bonjour Tristesse (French "Hello, Sadness") is a 1958 British-American Technicolor film in CinemaScope,[2] directed and produced by Otto Preminger from a screenplay by Arthur Laurents based on the novel of the same title by Françoise Sagan. The film stars Deborah Kerr, David Niven, Jean Seberg, Mylène Demongeot and Geoffrey Horne, and features Juliette Gréco, Walter Chiari, Martita Hunt and Roland Culver. It was released by Columbia Pictures. This film had colour and black and white sequences, a technique unusual for the 1950s but widely used in silent movies and early talking films.

Plot

On the French Riviera, Cécile (Jean Seberg) is a decadent young girl who lives with her rich playboy father, Raymond (David Niven). Anne (Deborah Kerr), a mature and cultured friend of Raymond's late wife, arrives at Raymond's villa for a visit. Anne and Raymond become close but Cécile finds that Anne threatens to reform the undisciplined way of life that she has shared with her father.

Despite his promises of fidelity to Anne, Raymond cannot give up his playboy life. Helped by Elsa (Mylène Demongeot), Raymond's young and flighty mistress, Cécile does her best to break up the relationship with Anne. The combination of the daughter's disdain and the father's rakishness drives Anne to a tragic end.[3]

Cast

  • Deborah Kerr as Anne Larsen
  • David Niven as Raymond, Cécile's father
  • Jean Seberg as Cécile, age 17
  • Mylène Demongeot as Elsa
  • Geoffrey Horne as Philippe, Cécile's summer fling on the Riviera
  • Juliette Gréco as herself, singing "Bonjour Tristesse"
  • Walter Chiari as Pablo, a friend of Elsa
  • Martita Hunt as Philippe's mother
  • Roland Culver as Mr. Lombard, Raymond's business partner
  • Jean Kent as Mrs. Lombard
  • David Oxley as Jacques, Cécile's new friend in Paris at start of film
  • Elga Andersen as Denise, Raymond's new mistress in Paris at start of film
  • Jeremy Burnham as Hubert, Cécile's painter friend in Paris at start of film
  • Eveline Eyfel as Maid

Critical reception

The film met with a lukewarm critical reception at the time. The BFI's Monthly Film Bulletin:[4] "The best performance is David Niven's; he gives his part a pathetic touch that the writing never attains. Jean Seberg, who speaks rather than acts her lines, turns in the least effective performance. Bonjour Tristesse is an elegant, ice cold, charade of emotions, completely artificial and eventually torpid." Others enjoyed it rather more and it had some unexpected friends. François Truffaut described Seberg as "The best actress in Europe'. Jean-Luc Godard said "The character played by Jean Seberg [in Breathless] was a continuation of her role in Bonjour Tristesse, I could have taken the last shot of Preminger's film and started after dissolving to a title: "Three years later". A Guardian piece [5] in 2012 described it as "an example of Hollywood's golden age, and both its star and its famously tyrannical director are ripe for rediscovery."

The film currently holds an 86% approval rating according to Rotten Tomatoes. Critic Keith Uhlich of Time Out New York wrote: "the director uses the expansive CinemaScope frame and his eye for luxuriant, clinical mise en scéne to soberly probe rather than gleefully prod. The cast is across-the-board exemplary. Niven and Kerr keenly satirize their onscreen iconographies—the cad and the goody-goody, respectively—but it's Seberg who cuts deepest."

References

1. ^Box Office
2. ^{{cite web|title=Bonjour Tristesse|url=http://ftvdb.bfi.org.uk/sift/title/27186|work=Film & TV Database|publisher=British Film Institute|accessdate=4 June 2013}}
3. ^Bonjour Tristesse (1957) – Trailers, Reviews, Synopsis, Showtimes and Cast. Allmovie.
4. ^Monthly Film Bulletin, British Film Institute, No. 292. Vol. 25. May 1958. Page 55.
5. ^{{cite news | title=Bonjour Tristesse: a golden-age masterpiece ripe for rediscovery | work=The Guardian | date=2012-10-10 | author=Tony Paley}}

External links

  • {{amg movie|6612}}
  • {{BFI Explore|id=4ce2b6a60f47c|title=Bonjour Tristesse}}
  • {{IMDb title|id=0051429|title=Bonjour Tristesse}}
  • {{tcmdb title|id=69338}}
  • {{AFI film|id=52485|title=Bonjour Tristesse}}
{{Otto Preminger}}{{Arthur Laurents}}

14 : 1958 films|1950s drama films|American films|British films|British drama films|Columbia Pictures films|English-language films|Films based on French novels|Films based on works by Françoise Sagan|Films directed by Otto Preminger|Films set on the French Riviera|Films shot in Saint-Tropez|Films partially in color|Films scored by Georges Auric

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