| 词条 | G-sharp minor |
| 释义 |
| name=G-sharp minor | image_name=B-major g-sharp-minor.svg | relative=B major | parallel=G{{music|sharp}} major enharmonic: A{{music|b}} major | dominant=D{{music|sharp}} minor enharmonic: E{{music|b}} minor | subdominant=C{{music|sharp}} minor | enharmonic=A{{music|flat}} minor | first_pitch=G{{music|sharp}} | second_pitch=A{{music|sharp}} | third_pitch=B | fourth_pitch=C{{music|sharp}} | fifth_pitch=D{{music|sharp}} | sixth_pitch=E | seventh_pitch=F{{music|sharp}} }} G-sharp minor is a minor scale based on G{{music|sharp}}, consisting of the pitches G{{music|sharp}}, A{{music|sharp}}, B, C{{music|sharp}}, D{{music|sharp}}, E, and F{{music|sharp}}. Its key signature has five sharps. The G-sharp natural minor scale is:
\\override Score.TimeSignature #'stencil = ##f \\relative c { \\clef treble \\key gis \\minor \\time 7/4 gis4^\\markup "Natural minor scale" ais b cis dis e fis gis fis e dis cis b ais gis2 } } Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G-sharp harmonic minor and melodic minor scales are:
\\override Score.TimeSignature #'stencil = ##f \\relative c { \\clef treble \\key gis \\minor \\time 7/4 gis4^\\markup "Harmonic minor scale" ais b cis dis e fisis gis fisis e dis cis b ais gis2 } }
\\override Score.TimeSignature #'stencil = ##f \\relative c { \\clef treble \\key gis \\minor \\time 7/4 gis4^\\markup "Melodic minor scale (ascending and descending)" ais b cis dis eis fisis gis fis! e! dis cis b ais gis2 } } Its relative major is B major. Its parallel major, G{{music|sharp}} major, is usually replaced by its enharmonic equivalent of A{{music|b}} major, since G-sharp major features an F{{music|x}} in the key signature and A-flat major only has four flats, making it rare for G♯ major to be used. A{{music|flat}} minor, its enharmonic, with seven flats, has a similar problem, thus G{{music|#}} minor is often used as the parallel minor for A{{music|b}} major. (The same enharmonic situation occurs with the keys of D{{flat|music}} major and C{{music|sharp}} minor.) Music in G-sharp minor{{see also|List of symphonies in G-sharp minor}}Despite the key rarely being used in orchestral music other than to modulate, it is not entirely uncommon in keyboard music, as in Piano Sonata No. 2 by Alexander Scriabin, who actually seemed to prefer writing in it. It is also found in the second movement in Shostakovitch's 8th String quartet. If G-sharp minor is used, composers generally write B{{music|flat}} wind instruments in the enharmonic B-flat minor, rather than A-sharp minor to facilitate reading the music (or A instruments used instead, giving a transposed key of B minor). Where available, instruments in D{{music|flat}} can be used instead, giving a transposed key of the enharmonic G minor, rather than F{{music|x}} minor, while the E horns would have parts written in the key of E minor. In a few scores, the sharp A in the bass clef is written on the top line.{{Citation needed|date=March 2018}} Few symphonies are written in G {{music|sharp}} minor; among them are Nikolai Myaskovsky's 17th Symphony, Christopher Schlegel's 5th Symphony, Elliot Goldenthal's Symphony in G-sharp minor (2014) and an abandoned work of juvenilia by Marc Blitzstein. Chopin composed a Polonaise in G-sharp minor, opus posthumous in 1822. His Étude No. 6 is in G-sharp minor as well. Mussorgsky used G-sharp minor for “The Old Castle” and “Cattle” movements in his Pictures at an Exhibition. Liszt's La campanella from his Grandes études de Paganini is in G-sharp minor. {{Circle of fifths}} 3 : Musical keys|Minor scales|Compositions in G-sharp minor |
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