| 词条 | Albert Lord |
| 释义 |
| name = Albert Lord | image = | image_size = | caption = | birth_name = | birth_date = September 15, 1912 | birth_place = Boston, Massachusetts, U.S. | death_date = {{d-da|July 29, 1991|September 15, 1912}} | death_place = Cambridge, Massachusetts, U.S. | death_cause = | resting_place = | resting_place_coordinates = | residence = | nationality = | other_names = | known_for = | education = Boston Latin School | alma mater = Harvard University | employer = | occupation = Academic | title = | salary = | networth = | term = | predecessor = | successor = | party = | boards = | religion = | spouse = Mary Louise Carson | children = 2 sons | parents = | relatives = }} Albert Bates Lord (September 15, 1912 – July 29, 1991) was a professor of Slavic and comparative literature at Harvard University who, after the death of Milman Parry, carried on that scholar's research into epic literature. Early lifeLord was born in Boston, Massachusetts. He graduated from Boston Latin School in 1930 and attended Harvard College, where he received an A.B. in classics in 1934 and a Ph. D.D. in comparative literature in 1949. CareerLord became a professor of Slavic and comparative literature at Harvard in 1950. He was later promoted as a full professor there in Classics. He also founded Harvard's Committee on Degrees in Folklore and Mythology, and chaired the college's Department of Folklore and Mythology until his retirement in 1983. Lord authored the book The Singer of Tales, first published in 1960. It was reissued in a 40th anniversary edition, with an audio compact disc to aid in the understanding of the recorded renditions discussed in the text. His wife Mary Louise Lord completed and edited his manuscript of a posthumous sequel The Singer Resumes the Tale (published 1995) which further supports and extends Lord's initial conclusions. Lord demonstrated the ways in which various great ancient epics from Europe and Asia were heirs to a tradition not only of oral performance, but of oral composition. He argued strongly for a complete divide between the non-literate authors of the Homeric epics and the scribes who later wrote them down, positing that the texts that have been preserved are a transcription by a listener of a single telling of the story. The story itself has no definitive text, but consists of innumerable variants, each improvised by the teller in the act of telling the tale from a mental stockpile of verbal formulas, thematic constructs, and narrative incidents. This improvisation is for the most part unconscious; epic tellers believe that they are faithfully recounting the story as it was handed down to them, even though the actual text of their tellings will differ substantially from day to day and from teller to teller. Lord studied not only field recordings of Serbian heroic epics sung to the gusle, and the Homeric epics, but also Beowulf, Gilgamesh, The Song of Roland, and the Anglo-Scottish Child Ballads. Across these many story traditions he found strong commonalities concerning the oral composition of traditional storytelling. Personal lifeHis wife, Mary Louise Lord née Carlson, taught Classics at Connecticut College; they had two children. Lord died in July 1991 at Cambridge, Massachusetts.[1] Awards and distinctions
BibliographyBy Lord
On Lord
Works cited1. ^{{cite journal|jstor=309027|title=In Memoriam: Albert Bates Lord (1912-1991)|first=Margaret Hiebert|last=Beissinger|date=1 January 1992|publisher=|journal=The Slavic and East European Journal|volume=36|issue=4|pages=533–536}} External links
8 : 1912 births|1991 deaths|American folklorists|Guggenheim Fellows|Epic poetry collectors|Harvard University alumni|Harvard University faculty|Folklorists |
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