| 词条 | Johann Caspar Ferdinand Fischer |
| 释义 |
| honorific_prefix = | name = Johann Caspar Ferdinand Fischer | honorific_suffix = | image = File:Fischer-fugue1.png | image_size = 100px | alt = | caption = | birth_name = | birth_date = | birth_place = Schönfeld ({{lang-cs|{{illm|Krásno (Sokolov District)|de|Krásno nad Teplou|lt=Krásno nad Teplou|display=1|vertical-align=sup|}}|}}) | baptised = {{illm|Schlackenwerth|de|Ostrov nad Ohří|display=1|vertical-align=sup|}} ({{lang-cs|{{illm|Ostrov (Karlovy Vary District)|cs|Ostrov (okres Karlovy Vary)|lt=Ostrov nad Ohří|display=1|vertical-align=sup|}}|}}), Royal Bohemia, Austria | death_date = | death_place = Rastatt, Margravial Baden | occupations = organist, composer, {{illm|court chapel master|de|Hofkapellmeister|display=1|vertical-align=sup|}} | flourished = | era = Baroque | known_for = bringing many French elements through Jean-Baptiste Lully (his instructor) into music | list_of_works = | spouse = | partner = | children = | parents = | notable_family = }} Johann Caspar Ferdinand Fischer (some authorities use the spelling Johann Kaspar Ferdinand Fischer) ({{circa}}1656 {{ndash}} August 27, 1746) was a German Baroque composer. Johann Nikolaus Forkel ranked Fischer as one of the best composers for keyboard of his day;[1] however, partly due to the rarity of surviving copies of his music, his music is rarely heard today. LifeFischer seems to have been of Bohemian origin, possibly born at Schönfeld, but details about his life are sketchy. Fischer was baptized and spent his youth in Schlackenwerth, north-west Bohemia. The first record of his existence is found in the mid-1690s: by 1695 he was Kapellmeister to Ludwig Wilhelm of Baden, and he may have remained with the court until his death in Rastatt. Works{{listen|filename=Caspar Ferdinand Fischer - Prelude and Chaconne.ogg|title=Prelude and Chaconne|description=Performed on a clavichord by Joan Benson|format=ogg}}Much of Fischer's music shows the influence of the French Baroque style, exemplified by Jean Baptiste Lully, and he was responsible for bringing the French influence to German music. Fischer's harpsichord suites updated the standard Froberger model (Allemande - Courante - Sarabande - Gigue); he was also one of the first composers to apply the principles of the orchestral suite to the harpsichord, replacing the standard French ouverture with an unmeasured prelude. Both Bach and Handel knew Fischer's work and sometimes borrowed from it. Many compositions by Fischer were published during his lifetime. These published pieces include:
Evidence exists of numerous lost works, among them an opera in Italian style, miscellaneous chamber works, court music and keyboard pieces. References1. ^Forkel/Terry 1920/2011, pp. 10–11 2. ^Comments made by harpsichordist William Porter during a 23 April 2006 performance of the Uranie suite at the Yale Collection of Musical Instruments 3. ^ Sources
External links{{commons category}}
20 : 1656 births|1746 deaths|18th-century keyboardists|18th-century classical composers|18th-century Bohemian musicians|18th-century German composers|Czech classical organists|German classical organists|Organists and composers in the South German tradition|Male organists|German Baroque composers|Composers for pipe organ|German classical composers|German male classical composers|People from the Kingdom of Bohemia|German Bohemian people|German people of German Bohemian descent|People from the Margraviate of Baden|People from Sokolov District|People from Karlovy Vary District |
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。