1. Early life and education

2. Work

3. Criticism
    Hamid Dabashi: criticisms and counter-criticisms 

4. Works

5. Notes

6. References

7. Bibliography

8. External links

Nafisi has been a visiting fellow and lecturer at the Foreign Policy Institute of Johns Hopkins University’s School of Advanced International Studies (SAIS) and served on the Board of Trustees of Freedom House. She is the niece of famous Iranian scholar, fiction writer and poet Saeed Nafisi. Azar Nafisi is best known for her 2003 book Reading Lolita in Tehran: A Memoir in Books, which remained on the New York Times Bestseller list for 117 weeks, and has won several literary awards, including the 2004 Non-fiction Book of the Year Award from Booksense.^[4][5]

Since Reading Lolita in Tehran, Nafisi has written Things I've Been Silent About: Memories of a Prodigal Daughter^[6] and The Republic of Imagination: America in Three Books.

Early life and education

Nafisi was born in Tehran, Iran. She is the daughter of Nezhat and Ahmad Nafisi, a former mayor of Tehran (1961–1963), who was the youngest man ever appointed to the post up to that time.^[7]

She was raised in Tehran, and at thirteen years old she moved to Lancaster, to finish her studies. After this, she moved to Switzerland. She got a degree in English and American literature and received her Ph.D. from the University of Oklahoma.^[8]

Nafisi returned to Iran in 1979, after the Iranian Revolution, where for a time she taught English literature at Tehran University,^[9] where she stayed during eighteen years struggling against the implementation of the revolution ideas and procedures.^[9]

In 1995, in disagreement with faculty authorities over her refusal to wear the veil, she stopped teaching at the university. Over the next two years, she invited several of her female students to attend regular meetings at her house, every Thursday morning. They discussed their place as women within post-revolutionary Iranian society and studied literary works -including some considered controversial by the regime, such as Lolita alongside other works such as Madame Bovary. She also taught novels by F. Scott Fitzgerald, Henry James and Jane Austen, attempting to understand and interpret them from a modern Iranian perspective.^[10][11]

Work

Nafisi left Iran on June 24, 1997 and moved to the United States, where she wrote Reading Lolita in Tehran: A Memoir in Books, a book where she describes her experiences as a secular woman living and working in the Islamic Republic of Iran. In the book, she declares "I left Iran, but Iran did not leave me."

Nafisi has held the post of a visiting fellow and lecturer at the Foreign Policy Institute of Johns Hopkins University’s School of Advanced International Studies (SAIS) in Washington, DC and has served on the Board of Trustees of Freedom House, a United States nongovernmental organization (NGO) which conducts research and advocacy on democracy.^[12]

On October 21, 2014, Viking Books released Nafisi's newest book, The Republic of Imagination: America in Three Books, in which ^[13] using The Adventures of Huckleberry Finn, Babbitt, and The Heart Is a Lonely Hunter as well as the writings of James Baldwin and many others, Nafisi responds to an Iranian reader that questioned whether Americans care about or need their literature.^[14] Jane Smiley wrote in The Washington Post that Nafisi "finds the essence of the American experience, filtered through narratives not about exceptionalism or fabulous success, but alienation, solitude and landscape."^[15] Laura Miller of Salon wrote that "No one writes better or more stirringly about the way books shape a reader’s identity, and about the way that talking books with good friends becomes integral to how we understand the books, our friends and ourselves.^[16]

She appeared on Late Night with Seth Meyers,^[17][18] and PBS NewsHour ^[19] to promote the book.

Criticism

In a 2003 article for The Guardian, Brian Whitaker criticized Nafisi for working for the public relations firm Benador Associates which he argued promoted the neo-conservative ideas of "creative destruction" and "total war".^[20]

In 2004, Christopher Hitchens wrote that Nafisi had dedicated Reading Lolita in Tehran to Paul Wolfowitz, the United States Deputy Secretary of Defense under George W. Bush and a principal architect of the Bush Doctrine. Hitchens had stated that Nafisi was good friends with Wolfowitz and several other key figures in the Bush administration. Nafisi later responded to Hitchen's comments, neither confirming nor denying the claim.^[21]

In a critical article in the academic journal Comparative American Studies, titled "Reading Azar Nafisi in Tehran", University of Tehran literature professor Seyed Mohammad Marandi states that "Nafisi constantly confirms what orientalist representations have regularly claimed". He also claimed that she "has produced gross misrepresentations of Iranian society and Islam and that she uses quotes and references which are inaccurate, misleading, or even wholly invented."^[22]

John Carlos Rowe, Professor of the Humanities at the University of Southern California, states that: "Azar Nafisi’s Reading Lolita in Tehran: A Memoir in Books (2003) is an excellent example of how neo-liberal rhetoric is now being deployed by neo-conservatives and the importance they have placed on cultural issues."^[23] He also states that Nafisi is "amenable.. to serving as a non-Western representative of a renewed defense of Western civilization and its liberal promise, regardless of its historical failures to realize those ends."^[24]

Hamid Dabashi: criticisms and counter-criticisms

In 2006, Columbia University professor Hamid Dabashi, in an essay published in the Cairo-based, English-language paper Al-Ahram (Dabashi's criticism of Nafisi became a cover story for an edition of the Chronicle of Higher Education)^[25] compared Reading Lolita in Tehran to "the most pestiferous colonial projects of the British in India," and asserted that Nafisi functions as a "native informer and colonial agent" whose writing has cleared the way for an upcoming exercise of military intervention on the Middle East. He also labelled Nafisi as a "comprador intellectual," a comparison to the "treasonous" Chinese employees of mainland British firms, who sold out their country for commercial gain and imperial grace. In an interview Z magazine, he classed Nafisi with the U.S. soldier convicted of mistreating prisoners at Abu Ghraib: "To me there is no difference between Lynndie England and Azar Nafisi."^[26][27] Finally, Dabashi stated that the book's cover image (which appears to be two veiled teenage women reading Lolita in Tehran) is in fact, in a reference to the September 11 attacks, "Orientalised pedophilia" designed to appeal to "the most deranged Oriental fantasies of a nation already petrified out of its wits by a ferocious war waged against the phantasmagoric Arab/Muslim male potency that has just castrated the two totem poles of U.S. empire in New York."^[29]

Critics such as Dabashi have accused Nafisi of having close relations with neoconservatives. Nafisi responded to Dabashi's criticism by stating that she is not, as Dabashi claims, a neoconservative, that she opposed the Iraq war, and that she is more interested in literature than in politics. In an interview, Nafisi stated that she has never argued for an attack on Iran and that democracy, when it comes, should come from the Iranian people (and not from US military or political intervention). She added that while she is willing to engage in "serious argument...Debate that is polarized isn't worth my time." She stated that she did not respond directly to Dabashi because "You don't want to debase yourself and start calling names."^[30][28] In the acknowledgements she makes in Reading Lolita in Tehran, Nafisi writes of Princeton University historian Bernard Lewis as "one who opened the door". Nafisi, who opposed the U.S. invasion of Iraq in 2003, rejects such accusations as "guilt by association," noting that she has both "radical friends" and "conservative friends."^[29] Ali Banuazizi, the codirector of Boston College’s Middle East studies program,^[30] the codirector of Boston College’s Middle East studies program, stated that Dabashi's article was very ‘‘intemperate’’ and that it was ‘‘not worth the attention’’ it had received.{{Citation needed|date=October 2017}} Christopher Shea of the Boston Globe argued that while Dabashi spent "several thousand words...eviscerating the book," his main point was not about the specific text but rather the book's black-and-white portrayal of Iran.^[31] Writing in The New Republic, Marty Peretz sharply criticized Dabashi, and rhetorically asked ‘‘Over what kind of faculty does [Columbia University president] Lee Bollinger preside?"^[31] In an article posted on Slate.com, author Gideon Lewis-Kraus described Dabashi's article as "a less-than-coherent pastiche of stock anti-war sentiment, strategic misreading, and childish calumny" and that Dabashi "insists on seeing [the book] as political perfidy" which allows him "to preserve his fantasy that criticizing Nafisi makes him a usefully engaged intellectual."^[32] Robert Fulford sharply criticized Dabashi's comments in the National Post, arguing that "Dabashi's frame of reference veers from Joseph Stalin to Edward Said. Like a Stalinist, he tries to convert culture into politics, the first step toward totalitarianism. Like the late Edward Said, he brands every thought he dislikes as an example of imperialism, expressing the West's desire for hegemony over the downtrodden (even when oil-rich) nations of the Third World." Fulford added that "While imitating the attitudes of Said, Dabashi deploys painful clichés."^[31][28] Firoozeh Papan-Matin, the Director of Persian and Iranian Studies at the University of Washington in Seattle, stated that Dabashi's accusation that Nafisi is promoting a "'kaffeeklatsch' worldview... callously ignores the extreme social and political conditions that forced Nafisi underground." Papan Matin also argued that "Dabashi’s attack is that whether Nafisi is a collaborator with the [United States]" was not relevant to the legitimate questions set forth in her book.^[33]

Works

• Nafisi, Azar. "Images of Women in Classical Persian Literature and the Contemporary Iranian Novel." The Eye of the Storm: Women in Post-Revolutionary Iran. Ed. Mahnaz Afkhami and Erika Friedl. New York: Syracuse University Press, 1994. 115-30.
• Anti-Terra: A Critical Study of Vladimir Nabokov’s Novels (1994).
• Nafisi, Azar. "Imagination as Subversion: Narrative as a Tool of Civic Awareness." Muslim Women and the Politics of Participation. Ed. Mahnaz Afkhami and Erika Friedl. New York: Syracuse University Press, 1997. 58-71.
• "Tales of Subversion: Women Challenging Fundamentalism in the Islamic Republic of Iran." Religious Fundamentalisms and the Human Rights of Women (1999).
• Reading Lolita in Tehran (2003).
• Things I've Been Silent About (2008).
• The Republic of Imagination (2014).
• "Foreword," Adventures of Huckleberry Finn (Penguin Classics, 2014)

Notes

References

Bibliography

• Nafisi, Azar. 2010 (2008). Things I've been silent about. Random House Trade Paperbacks. (Originally published 2008)

External links

• Official Website
• Azar Nafisi on The Forum
• Random House author biography
• {{webarchive |url=https://web.archive.org/web/20090423074443/http://www.nypl.org/research/chss/pep/pepdesc.cfm?id=3920 |date=April 23, 2009 |title=Samantha Power in conversation with Azar Nafisi }} at LIVE from the New York Public Library, February 21, 2008
• [https://www.theguardian.com/iran/story/0,,1808980,00.html Lust for life] by Azar Nafisi, The Guardian, July 1, 2006.
• [https://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=3617 Azar Nafisi speaks at the National Book Festival in 2004]
• Breaking barriers in books{{dead link|date=August 2016|bot=medic}}{{cbignore|bot=medic}}
• [https://web.archive.org/web/20050408094052/http://casweb.ou.edu/home/news/video_gallery/video_20010223.html Azar Nafisi speaks on Crossing the Borders: Western Fictions and Iranian Realities]
• [https://web.archive.org/web/20060613195835/http://dialogueproject.sais-jhu.edu/anafisi.php?SMSESSION=NO Nafisi's Dialogue Project]
• Azar Nafisi by Robert Birnbaum, Identity Theory, February 5, 2004.
• [https://www.washingtonpost.com/wp-dyn/articles/A60490-2004Jul18.html Sorry, Wrong Chador] by Karl Vick, Washington Post, July 19, 2004; Page C01.
• [https://www.pbs.org/now/transcript/transcript_nafisi.html Transcript of Nafisi's interview with David Brancaccio on PBS's Now]
• {{fa icon}} [https://web.archive.org/web/20060813113745/http://www2.dw-world.de/persian/kultur/1.104827.1.html DW-WORLD.DE on Azar Nafisi]
• Nafasi on how the world misperceives Muslim women, in conversation with Big Think.
• Audio: Azar Nafisi in conversation on the BBC World Service discussion show The Forum
• [https://web.archive.org/web/20100919211231/http://jacobinmag.com/archive/issue1/nafisi.html "Native Informer" - Jacobin interview]
• {{C-SPAN|Azar Nafisi}}
• REVIEW : The Republic of Imagination

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