词条 | The Magic Box |
释义 |
| name = The Magic Box | image = Magic_box_1.jpg | caption = | director = John Boulting | producer = Ronald Neame | writer = Ray Allister and Eric Ambler | starring = Robert Donat Margaret Johnston Maria Schell Robert Beatty Margaret Rutherford | music = William Alwyn | cinematography = Jack Cardiff | editing = Richard Best | distributor = British Lion Films | released = 1951 | runtime = 118 min. | country = United Kingdom | language = English | budget = | gross = £82,398 (UK)[1] }}The Magic Box is a 1951 British, Technicolor, biographical drama film, directed by John Boulting.[2] The film stars Robert Donat as William Friese-Greene, with a host of cameo appearances by actors including Peter Ustinov and Laurence Olivier.[3] It was produced by Ronald Neame and distributed by British Lion Film Corporation.[2] The film was a project of the Festival of Britain and adapted by Eric Ambler from the controversial biography by Ray Allister.[4] This biographical drama gives an account of the life of William Friese-Greene, who first designed and patented one of the earliest working cinematic cameras.[5] Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image", leading inexorably to a series of failures and disappointments, as others hog the credit for the protagonist's discoveries.[6] PlotIn 1921, William Friese-Greene, in dire financial straits and separated from his wife, but still working, attends a film conference in London. He is saddened that all those attending are businessmen interested only in moneymaking. He attempts to speak, but no-one is interested and he sits down. He thinks back to his early pioneering days. Young "Willie" works as an assistant to photographer Maurice Guttenberg, who will not let him take portraits his way. He leaves and, with his new wife, a client of his former employer, he opens a studio. After a slow start, he does well and opens other studios, but he is more interested in developing moving pictures and colour films. He single-mindedly works on his ideas, spending more and more money, and is eventually declared bankrupt. With the coming of World War I, their sons (one under age) enlist in the army to relieve their parents of the burden of providing for them. In partnership with a businessman, he develops his ideas, but the partnership sours and he's on his own, bankrupt, again. Nevertheless, he perseveres and, late one night, he projects the short film he has taken in Hyde Park that afternoon. Excited, he rushes out and drags in a passing policeman, portrayed by Laurence Olivier (credited as Larry Oliver), to witness the success of the film. The policeman is dumbfounded, not quite comprehending what he has just seen. Back at the conference, Friese-Greene again stands up to speak, but becomes incoherent and is forced to sit down. He collapses. A doctor is called, but it is too late. Examining the contents of his pockets in an attempt to identify him, the doctor comments that all the money he could find was just enough for a ticket to the cinema. Cast
Cameos
ReleaseThe film was completed and shown just before the end of the 1951 Festival of Britain, but it did not go on general release until 1952.[7] Critical receptionIn The New York Times, Bosley Crowther wrote "...it seems to have no ground beneath it—no association with historic events—and it turns out to be, in large measure, just a handsome exercise in pathos and sentiment.That doesn't say, however, that it is not expertly done and that it doesn't deserve the attention of all who are interested in the craft of the screen. In the principal role, Robert Donat does a superlative job of conveying both the vigor of a young man and the fragile dignity of old age—a role highly reminiscent of his unforgettable "Mr. Chips." As his two wives, Margaret Johnston and Maria Schnell are excellent, and a host of the best British performers are all fine in smaller roles. An idea of the extravagance may be had in the fact that the distinguishe Laurence Olivier plays a policeman "bit." While Eric Ambler's script, based on a biography of Friese-Greene by Ray Allister, is understandably vague and extended, it is quaintly eventful and literate, and John Boulting's direction is finished and polished to the nines. Excellent color (by Technicolor) and superb setting and costuming all around add to the lustre of a picture that has everything but a major theme."[8] NominationsThe film was nominated for two BAFTA Awards in 1952—BAFTA Award for Best Film and BAFTA Award for Best British Film.[9] References1. ^{{cite journal|first=Vincent|last=Porter|title=The Robert Clark Account|work=Historical Journal of Film, Radio and Television|volume=20|issue=4|date=2000|page=495}} 2. ^1 {{cite web|url=http://www.bfi.org.uk/films-tv-people/4ce2b6bf4e62e|title=The Magic Box (1951)|publisher=}} 3. ^{{cite book|url=https://books.google.com/?id=1c7eCwAAQBAJ&pg=PA583 |title=British Film Catalogue: Two Volume Set - The Fiction Film/The Non-Fiction Film|first=Denis|last=Gifford|date=1 April 2016|publisher=Routledge|via=Google Books|isbn=9781317740636}} 4. ^{{cite web|url=http://www.screenonline.org.uk/film/id/453725/index.html|title=BFI Screenonline: Magic Box, The (1951)|website=www.screenonline.org.uk}} 5. ^{{cite web|url=https://www.bbc.co.uk/programmes/b037w0x9|title=BBC Two - The Magic Box|website=BBC}} 6. ^{{cite web|url=http://www.allmovie.com/work/the-magic-box-100913|title=The Magic Box (1951) - John Boulting - Synopsis, Characteristics, Moods, Themes and Related - AllMovie|website=AllMovie}} 7. ^{{cite web|url=https://www.britishpathe.com/video/magic-box-premiere-2|title="Magic Box" Premiere - British Pathé|first=British|last=Pathé|website=www.britishpathe.com}} 8. ^{{cite news|url=https://www.nytimes.com/1952/09/24/archives/the-screen-in-review-the-magic-box-british-film-on-early-movie.html|title=THE SCREEN IN REVIEW; ' The Magic Box,' British Film on Early Movie Experimenter, Arrives at the Normandie|first=Bosley|last=Crowther|date=24 September 1952|publisher=|newspaper=The New York Times}} 9. ^{{cite web|url=http://awards.bafta.org/award/1952/film/film-and-british-film|title=1952 Film Film And British Film - BAFTA Awards|website=awards.bafta.org}} Bibliography
External links
22 : 1951 films|1950s drama films|1950s biographical films|1950s historical films|British historical films|British films|British biographical films|British drama films|British black-and-white films|English-language films|Films about filmmaking|Films about technology|Films set in the 1870s|Films set in the 1880s|Films set in the 1890s|Films set in the 1900s|Films set in the 1910s|Films set in 1921|Films shot at Elstree Studios|Films directed by John Boulting|Films produced by Ronald Neame|Films scored by William Alwyn |
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