| 词条 | Friedrich Gernsheim |
| 释义 |
Friedrich Gernsheim (17 July 1839 – 10 September 1916) was a German composer, conductor and pianist. Early lifeGernsheim was born in Worms. He was given his first musical training at home under his mother's care, then starting from the age of seven under Worms' musical director, Louis Liebe, a former pupil of Louis Spohr. His father, a prominent Jewish physician, moved the family to Frankfurt am Main in the aftermath of the year of revolutions, 1848, where he studied with Edward Rosenhain, brother of Jakob Rosenhain.[1] He made his first public appearance as a concert pianist in 1850 and toured for two seasons, then settled with his family in Leipzig, where he studied piano with Ignaz Moscheles from 1852. He spent the years 1855–1860 in Paris, meeting Gioachino Rossini, Édouard Lalo and Camille Saint-Saëns. CareerHis travels afterwards took him to Saarbrücken, where in 1861 he took the conductor post vacated by Hermann Levi; to Cologne, where in 1865 Ferdinand Hiller appointed him to the staff of the Conservatory (his pupils there included Engelbert Humperdinck and Carl Lachmund); he then served as musical director of the Philharmonic Society of Rotterdam, 1874-1890. In the latter year he became a teacher at the Stern Conservatory in Berlin, and in 1897 moved there to teach at the Prussian Academy of Arts, where he was elected to the senate in 1897. In 1877 he married Helene Hernsheim from Karlsruhe. Gernsheim was a prolific composer, especially of orchestral, chamber and instrumental music, and songs. Some of his works tend to Jewish subject-matter, notably the Third Symphony on the legend of the Song of Miriam. His earlier works show the influence of Schumann, and from 1868, when he first became friendly with Brahms, a Brahmsian influence is very palpable. Gernsheim's four symphonies (the first of which was written before the publication of Brahms' First Symphony) are an interesting example of the reception of Brahmsian style by a sympathetic and talented contemporary. Gernsheim's last works, most notably his Zu einem Drama (1902), show him moving away from that into something more personal. He died in Berlin. Due to his Jewish background, his work was banned in Nazi Germany, and his papers and a biography written about him by Karl Holl were removed from music libraries.[2] Selected works (excerpted from worklist)
Of these works, the symphonies, the cello concerto, the first cello sonata, the piano trios, two of the piano quartets, the two piano quintets, the violin sonatas,[17] and the second string quartet have been recorded. References1. ^Pitt, Lavender. {{Google books|A5oPAAAAYAAJ|The Musical World}}. 1 August 1874 issue. J. Novello. v.52, p.512. 2. ^http://www.warmaisa.de/index.php?id=4595 3. ^{{Google books|ECwfAAAAMAAJ|Allgemeine musikalische Zeitung}}. Ser. 3 v. 17, 1882. p. 190 notice of Rotterdam early performance of Symphony no. 2. 4. ^ {{webarchive|url=https://web.archive.org/web/20040131132605/http://home.wanadoo.nl/jdpt/reviews/G/Gernsheim-14.htm |date=2004-01-31 }} at home.wanadoo.nl 5. ^The German record label cpo has, as of August 2015, announced a recording of the 2 violin concertos is being released. 6. ^Hyperion Records at www.hyperion-records.co.uk 7. ^IMSLP. 8. ^1 Willkommen bei Klassik Heute at www.klassik-heute.de 9. ^{{cite journal|last=Urspruch|authorlink=Anton Urspruch|first=Anton Broadcast on UK Radio 3, 0000 - 0030, Mon 6 Feb 2017. |title=Musikalisches Wochenblatt|url=https://books.google.com/books?id=l1wvAAAAMAAJ&pg=RA2-PA617&dq=gernsheim+quintett|pages=617–9|volume=29|issue=44|date=27 October 1898|oclc=297294425|publisher=E.W. Fritzsch}}. Anycase, Hofmeister gives late 1897 (HMB). 10. ^1 2 3 Manuscripts at the Gernsheim Archive, National Library of Israel 11. ^Available on YouTube in a live recording by the Atlantic Trio [https://www.youtube.com/watch?v=3YWNsy1Sb4A here]. 12. ^Manuscript score at State Library, Berlin and at IMSLP. Not an arrangement of the contemporaneous cello concerto in the same key (Op.78) - very different movement structure, and ends in minor rather than major. 13. ^This opus number differs from that under Gernsheim on List of compositions for cello and piano, which bases its information on Muller-Reuter's [https://books.google.com/books?id=8kzQAAAAMAAJ&pg=PA594 Lexicon] (which is referring to the 2nd sonata above, and Op.79). Some confusion seems to have arisen because authors of a concert brochure may have forgotten the existence of the 2nd sonata when they gave the premiere or modern premiere of this 3rd sonata of 1914. 14. ^See e.g. {{OCLC|875090322}}, {{OCLC|875090302}}, {{OCLC|875090391}}- manuscripts at the National Library of Israel, "Archive of Friedrich Gernsheim". 15. ^1 2 {{cite web|title=Dreilanderkatalog im Gateway Bayern OPAC|url=http://bvba2.bib-bvb.de/V|accessdate=25 August 2007}} 16. ^See HMB reference noting publication. 17. ^{{cite web|url=http://www.brilliantclassics.com/release.aspx?id=FM00415413|title=Release Page for Gernsheim Violin Sonatas and other Violin Works|accessdate=2013-03-11}} Further reading
External links
22 : 1839 births|1916 deaths|19th-century classical composers|20th-century classical composers|German classical composers|German Romantic composers|German conductors (music)|German male conductors (music)|German classical pianists|German Jews|Jewish classical composers|People from Worms, Germany|German music educators|People from Rhenish Hesse|German male classical composers|20th-century German composers|19th-century classical pianists|19th-century German composers|German male pianists|20th-century conductors (music)|20th-century male musicians|19th-century male musicians |
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