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词条 Die goldene Stadt
释义

  1. Plot

  2. Sources

  3. Motifs

  4. Citations

  5. References

  6. External links

{{Infobox film
| name = Die goldene Stadt
| image =
| alt =
| caption =
| director = {{Plainlist|
  • Veit Harlan
  • Wolfgang Schleif

}}
| producer = Veit Harlan
| writer = {{Plainlist|
  • Veit Harlan
  • Alfred Braun
  • Richard Billinger
  • Werner Eplinius

}}
| starring = {{Plainlist|
  • Kristina Söderbaum
  • Eugen Klöpfer
  • Annie Rosar
  • Dagny Servaes
  • Paul Klinger
  • Emmerich Hanus
  • Kurt Meisel
  • Rudolf Prack
  • Liselotte Schreiner
  • Hans Hermann Schaufuß
  • Frida Richard
  • Inge Drexel
  • Ernst Legal

}}
| narrator =
| music = Hans-Otto Borgmann
| cinematography = Bruno Mondi
| editing = Friedrich Karl von Puttkamer
| released = {{Film date|df=y|1942|12|25|Netherlands}}
| runtime = 110 minutes
| country = Germany
| language = German
| budget = 1.8 million ℛℳ (equivalent to €{{Format price|{{Inflation|DE|1800000|1942}}}} in 2009)
| gross = 12.5 million ℛℳ{{sfn|Noack|2016|p=203}} (equivalent to €{{Format price|{{Inflation|DE|12500000|1944}}}} in 2009)
}}Die goldene Stadt (English: The Golden City), is a 1942 German film directed by Veit Harlan, starring Kristina Söderbaum, who won the Volpi Cup for Best Actress, and in Agfacolor.[1]

Plot

Anna, a young, innocent country girl (a Sudeten German[2]), whose mother drowned in the swamp, dreams of the golden city of Prague. After she falls in love with a surveyor, she runs away to Prague to find him. She is instead seduced and abandoned by her cousin (a Czech). She attempts to return home, but her father rejects her, and she drowns herself in the swamp where her mother died.

Sources

The movie is based on drama Der Gigant by Austrian writer Richard Billinger.[2] In the novel, however, it is the heart-broken father who commits suicide; the Propaganda Ministry insisted that it be the daughter not the father who died.[3]

Motifs

Anna's fate and drowning are clearly represented as the natural consequence of her failure to appreciate the countryside and her longings for the city.[4] This harmonizes with the preference for the countryside of the Blood and Soil doctrine.

Citations

1. ^{{cite news |url=https://movies.nytimes.com/movie/73403/Die-Goldene-Stadt/overview |title=New York Times: Die Goldene Stadt (1942) |accessdate=2010-10-30|work=NY Times}}
2. ^Anthony Rhodes, Propaganda: The art of persuasion: World War II, p20 1976, Chelsea House Publishers, New York
3. ^Richard Grunberger, The 12-Year Reich, p 382, {{ISBN|0-03-076435-1}}
4. ^Cinzia Romani, Tainted Goddesses: Female Film Stars of the Third Reich p86 {{ISBN|0-9627613-1-1}}

References

{{refbegin|20em}}
  • {{cite book |last=Noack |first=Frank |title=Veit Harlan: "des Teufels Regisser" |trans-title=Veit Harlan: The Life and Work of a Nazi Filmmaker |publisher=University Press of Kentucky |location=Lexinton |year=2016 |orig-year=2000 |isbn=9780813167008 |ref=harv }}
{{refend}}

External links

  • {{IMDb title|id=0034800|title=The Golden City}}
{{DEFAULTSORT:Goldene Stadt}}{{1940s-Germany-film-stub}}

9 : 1941 films|1940s drama films|German drama films|German films|Films of Nazi Germany|German-language films|Films directed by Veit Harlan|Films set in Prague|German black-and-white films

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