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词条 Akete
释义

  1. References

{{merge|Nyabinghi drums|Nyabinghi_rhythm#Drums|date=October 2017}}{{Infobox instrument
| name = Akete
| names = Akete, kete
| image =
| image_capt =
| background = percussion
| classification = Percussion
| hornbostel_sachs =
| hornbostel_sachs_desc =
| inventors =
| developed =
| range =
| related =
| musicians = Count Ossie, Ras Michael
| builders =
| articles =
}}Akete (or kete) are drums commonly used in Nyabinghi music, and kete is sometimes used to refer to one of these drums, the "repeater".[1][2]

Akete drums consist of a larger bass (or "baandu") drum, a "funde" (or "fundeh"), and a "repeater".[3][4] The funde and repeater are of similar size, but the funde has a slack drum head while the repeater has a tighter head, giving a higher note.[3] The drums are double-membraned, with heads are generally made of goat skin.[2][5]

The bass drum is typically held in the lap and beaten with a padded stick (a tennis ball is often used), while the funde and repeater are held on the floor between the knees and played with the hands, the funde with the palms and the repeater with the fingertips.[6]

Originally from the Asante of modern-day Ghana (which is also the name of the dance which the drums are used for) via the trans-Atlantic slave trade[7] and then in Burru music, which was played in Jamaica as far back as the early 20th century.[3][6] They became commonly used in Kingston ghettos in the mid 20th century, after being introduced by migrants from rural Jamaica.[8]

Famous akete players include Count Ossie and Ras Michael.

References

1. ^{{cite book| last = Moskowitz| first = David Vlado| title = The Words and Music of Bob Marley| year = 2007| publisher = Greenwood Publishing Group| isbn = 978-0-275-98935-4| page = 161 }}
2. ^{{cite book| last = Hebdige| first = Dick| title = Cut 'n' mix culture, identity, and Caribbean music| year = 1987| publisher = Comedia (US)| isbn = 978-0-415-05875-9| page = 39 }}
3. ^{{cite book| last = Moskowitz| first = David Vlado| title = Caribbean Popular Music An Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall| year = 2006| publisher = Greenwood Publishing Group| isbn = 978-0-313-33158-9| page = 7 }}
4. ^{{cite book| last = Roberts| first = June E.| title = Reading Erna Brodber Uniting the Black Diaspora Through Folk Culture and Religion| year = 2006| publisher = Greenwood Publishing Group| isbn = 978-0-313-32074-3| page = 212 }}
5. ^Garfield Smith, Michael; Augier, Roy; Nettleford, Rex M. (1978), The Rastafari movement in Kingston, Jamaica, University of the West Indies, p. 14.
6. ^{{cite book| last1 = Murrell| first1 = Nathaniel Samuel| last2 = Spencer| first2 = William David| last3 = McFarlane| first3 = Adrian Anthony| title = Chanting Down Babylon The Rastafari Reader| year = 1998| publisher = Temple University Press| isbn = 978-1-56639-584-7| pages = 233–4 }}
7. ^Joseph S. Kaminski, Asante Ivory Trumpet Music in Ghana: Culture Tradition and Sound Barrage.
8. ^{{cite book| last = Edmonds| first = Ennis Barrington| title = Rastafari From Outcasts to Culture Bearers| year = 2003| publisher = Oxford University Press on Demand| isbn = 978-0-19-513376-9| page = 100 }}

3 : Drums|Jamaican musical instruments|Rastafari movement

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