| 词条 | Industrial dance | ||||
| 释义 |
| name = Industrial dance | color = black | bgcolor = silver | stylistic_origins =
| cultural_origins = Early 1980s, Europe and North America | instruments =
| popularity = Small | derivatives = | subgenrelist = | subgenres =
| fusiongenres = | regional_scenes = | local_scenes = | other_topics =
}} Industrial dance music is a North American alternative term for electronic body music and electro-industrial music. Fans who are associated with this music scene, refer to themselves as rivetheads. In general, "industrial dance" is characterized by its "electronic beats, symphonic keyboard lines, pile-driver rhythms, angst-ridden or sampled vocals, and cyberpunk imagery".[1][3] Since the mid-1980s,[2] the term "industrial dance" has been used to describe the music of Cabaret Voltaire (early 1980s),[3][4] early Die Krupps,[5] Portion Control,[6] The Neon Judgement,[5] Clock DVA,[10] Nitzer Ebb,[7][8] Skinny Puppy, Front Line Assembly,[9][10][11] Front 242,[12][5][8][13] Ministry,[14] KMFDM,[15][16][17] Yeht Mae,[18] Meat Beat Manifesto, Manufacture,[19] Nine Inch Nails,[20][14][21] My Life with the Thrill Kill Kult,[22] Leæther Strip[23] or early Spahn Ranch.[24] In March 1989, Spin Magazine presented an one-paged article about the industrial dance movement in Canada and the U.S.[19] Print media
See also{{Portal|Industrial music}}
Sources1. ^1 {{cite book | title=ECO-TEC: Architecture of the In-Between - | publisher=Princeton Architectural Press | author=Marras, Amerigo | year=1999 | pages=54 | isbn=1568981597}} 2. ^{{cite book|author=Gail Priest|title=Experimental Music: Audio Explorations in Australia|p=48|publisher=University of New South Wales Press|year=2009|isbn=1-921410-07-8}} 3. ^Holly George-Warren / Patricia Romanowski / Jon Pareles: The Rolling Stone Encyclopedia of Rock & Roll, p. 140, Fireside, 2001, {{ISBN|0-7432-0120-5}} 4. ^{{cite book|title=The Secret History of Rock 'n' Roll|publisher=Viva Editions |author=Knowles, Christopher|author-link=Christopher Knowles (comics)|year=2010|isbn=9781573444057| url=https://archive.org/details/secrethistoryofr00know|page=236|via=the Internet Archive}} 5. ^1 2 David Nobahkt: Suicide: No Compromise, p. 166, SAF Publishing Ltd., 2004, {{ISBN|0-946719-71-3}} 6. ^The Wire, Volume 269-274, p. 32, C. Parker, 2006 7. ^{{cite magazine|author=Tony Fletcher|title=Hard-boiled Ebb – Interview with Nitzer Ebb|magazine=Spin|publication-date=February 1992|pages=16-17|url=https://books.google.ru/books?id=yLVeu01ciK8C&pg=PT18#v=twopage&q&f=false|accessdate=October 24, 2017}} 8. ^1 Christian Zingales: Electronica, p. 59, Giunti Gruppo Editoriale, 2002, {{ISBN|88-09-02523-7}} 9. ^David Jarman: Review of the album „Flavour of the Weak“ by Front Line Assembly, CMJ New Music Monthly, p. 50, April 1998 10. ^David Jarman: Review of the album „Implode“ by Front Line Assembly, CMJ New Music Monthly, p. 44, August 1999 11. ^Vladimir Bogdanov / Chris Woodstra / Stephen Thomas Erlewine: All Music Guide to Electronica: The Definitive Guide to Electronic Music, p. 198, Backbeat Books, 2001, {{ISBN|0-87930-628-9}} 12. ^1 Tony Fletcher: Let's Go - Lollapalooza '93, SPIN magazine, July 1993, p. 44 13. ^{{cite journal | title=Front 242 - Mut@ge.Mix@ge | author=Macdonald - Heidi | journal=CMJ |date=May 1998 | issue=57 | issn=1074-6978 }} 14. ^1 {{cite book|author=Jim DeRogatis|author-link=Jim Derogatis|title=Milk it!: Collected Musings on the Alternative Music Explosion of the 90s|page=95|publisher=Da Capo Press|year=2003|isbn=0-306-81271-1|quote=Big Black's relentless noise guitars, jackhammer rhythms and lyrical tales of America's underbelly continue to inspire cutting-edge bands such as Helmet, Tar and, the Jesus Lizard", as well as industrial dance groups such as Nine Inch Nails and Ministry.}} 15. ^{{cite magazine|first=Chuck|last=Eddy|url=https://books.google.ru/books?id=_hQxGHrtDC0C&pg=PT74#v=onepage&q&f=false|title=KMFDM, Money, Wax Trax!|department=Spins|work=Spin Magazine|volume=8|issue=4|date=July 1992|page=71|access-date=August 21, 2018|via=Google Books}} 16. ^Amy Sciarretto: Wax Trax! / TVT Offers KMFDM's Final Statement with „Adios“, CMJ New Music Report, p. 1, 5. April 1999 17. ^Amy Sciarretto: Review of the album „MDFMK“ by MDFMK, CMJ New Music Report, p. 22, 14. February 2000 18. ^1 Rudy von Bitter Rucker / R. U. Sirius / Queen Mu: Mondo 2000: A User's Guide to the New Edge, HarperPerennial, 1992, {{ISBN|0-06-096928-8}} 19. ^1 {{cite magazine|first=John|last=Leland|title=A Dilettante's Guide to Industrial Dance Music|url=https://books.google.ru/books?hl=ru&id=bT9Dc3mzdZ8C&pg=PA78#v=onepage&q&f=false|department=Singles|work=Spin Magazine|date=March 1989|volume=4|issue=12|page=78|access-date=August 21, 2018|via=Google Books}} 20. ^{{cite magazine| title=Metal Machine Music | author=Eddy, Chuck | magazine=Spin Magazine |date=June 1998 | volume=14 | issue=6 | pages=139 | issn=0886-3032 }} 21. ^{{cite book | title=The A to X of Alternative Music | publisher=Continuum International Publishing Group | author=Taylor, Steve | year=2006 | pages=165 | isbn=0826482171}} 22. ^{{cite magazine| title=Recordnews | author=Jacks, Kelso | work=CMJ |date=November 1999 | volume=60 | issue=643 | pages=10 | issn=0890-0795 }} 23. ^Industrial Dance : Significant Albums, Artists and Songs, Most Viewed : AllMusic 24. ^David Jarman: Review of the album „Beat Noir“ by Spahn Ranch, CMJ New Music Monthly, p. 51, January 1999 External links
2 : Electronic dance music genres|Industrial music |
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