1. Present house
    Interior  Clock Tower 

2. History
     Duke of Buckingham and early history   In the 18th century  1st Earl of Orkney  Countesses of Orkney  In the 19th century  Sir George Warrender  2nd Duke of Sutherland  1st Duke of Westminster  In the 20th and 21st century  Astor era  Canadian Red Cross Memorial Hospital  Cliveden House Hotel 

3. Gardens and grounds
    Parterre  Themed gardens  Woodland  Maze  Garden buildings: pavilions and follies  Octagon Temple (Astor family chapel)   Sculpture collection  Borghese Balustrade  "Cliveden Snail"  Spring Cottage  Cliveden Reach 

4. In popular culture
    Art   Film and television    Literature  

5. Gallery

6. Notes

7. References

8. Further reading

9. External links

As home of Nancy Astor, Cliveden was the meeting place of the Cliveden Set of the 1920s and 30s—a group of political intellectuals. Later, during the early 1960s, it became the setting for key events of the notorious Profumo Affair. During the 1970s, it was occupied by Stanford University, which used it as an overseas campus. Today the house is leased by the National Trust as a five-star hotel.

Cliveden means "valley among cliffs"^[2] and refers to the dene (valley) which cuts through part of the estate, east of the house. Cliveden has been spelled differently over the centuries, some of the variations being Cliffden, Clifden, Cliefden and Clyveden.^[3] The {{convert|375|acre|ha}} gardens and woodlands are open to the public, together with parts of the house on certain days. There have been three houses on this site: the first, built in 1666, burned down in 1795 and the second house (1824) was also destroyed by fire, in 1849. The present Grade I listed house was built in 1851 by the architect Charles Barry for The 2nd Duke of Sutherland.

Present house

Designed by Charles Barry in 1851 to replace a house previously destroyed by fire, the present house is a blend of the English Palladian style and the Roman Cinquecento.^[4] The Victorian three-storey mansion sits on a {{convert|400|ft|m|adj=on}} long, {{convert|20|ft|m|adj=on}} high brick terrace or viewing platform (visible only from the south side) which dates from the mid-17th century. The exterior of the house is rendered in Roman cement, with terracotta additions such as balusters, capitals, keystones and finials. The roof of the mansion is meant for walking on, and there is a circular view, above the tree-line, of parts of Buckinghamshire and Berkshire including Windsor Castle to the south.^[5]

Below the balustraded roofline is a Latin inscription which continues around the four sides of the house and recalls its history; it was composed by the then prime minister William Ewart Gladstone. On the west front it reads: POSITA INGENIO OPERA CONSILIO CAROLI BARRY ARCHIT A MDCCCLI, which translated reads: "The work accomplished by the brilliant plan of architect Charles Barry in 1851."^[6] The main contractor for the work was Lucas Brothers.^[7] In 1984–86 the exterior of the mansion was overhauled and a new lead roof installed by the National Trust, while interior repairs were carried out by Cliveden Hotel.^[8]

In 2013, restoration work on the main house was carried out including the restoration of 300 sash windows and 20 timber doors.^[9]

Interior

The interior of the house today is very different from its original appearance in 1851–52. This is mainly due to the 1st Lord Astor, who radically altered the interior layout and decoration c.1894–95. Whereas Barry's original interior for the Sutherlands had included a square entrance-hall, a morning room and a separate stairwell, Lord Astor wanted a more impressive entrance to Cliveden so he had all three rooms knocked into one large one (the Great Hall). His aim was to make the interior as much like an Italian palazzo as possible, which would complement the exterior. The ceiling and walls were panelled in English oak, with Corinthian columns and swags of carved flowers for decoration, all by architect Frank Pearson. The staircase newel posts are ornamented with carved figures representing previous owners (e.g. Buckingham and Orkney) by W.S. Frith. Astor installed a large 16th-century fireplace, bought from a Burgundian chateau which was being pulled down. To the left of the fireplace is a portrait of Nancy, Lady Astor by the American portraitist John Singer Sargent. The room was and still is furnished with 18th-century tapestries and suits of armour. Originally the floor was covered with Minton encaustic tiles (given to the Sutherlands by the factory) but Nancy Astor had them removed in 1906 and the present flagstones laid.^[10] Above the staircase is a painted ceiling by French artist Auguste Hervieu which depicts the Sutherlands' children painted as the four seasons. This is the only surviving element of Barry's 1851–52 interior and it is believed that Lord Astor considered it too beautiful to remove.

The French Dining Room is so-called because the 18th-century Rococo panelling (or boiseries) came from the Château d'Asnières near Paris, a château which was leased to Louis XV and his mistress Madame de Pompadour as a hunting lodge. When the panelling came up for sale in Paris in 1897, the 1st Lord Astor recognised that it would exactly fit this room at Cliveden. The gilded panelling on a turquoise ground contains carvings of hares, pheasants, hunting dogs and rifles. The console tables and buffet were made in 1900 to match the room. The main dining room of the house until the 1980s, today it is a private dining room with views over the Parterre and Thames.

The second largest room on the ground floor, after the Great Hall, was the original drawing room which today is used as the hotel's main dining room and also has river views.^[11]

Also on the ground floor is the library, panelled in cedar wood, which the Astors used to call the "cigar box",^[12] and, next door, Nancy Astor's boudoir. Upstairs there are a total of 10 bedroom suites divided equally over two floors. The East wing was and still is guest accommodation, whereas the West wing was domestic offices that were converted into more bedrooms in 1994.

Clock Tower

The nearby 100-foot (30m) clock tower was added in 1861 and is the work of the architect Henry Clutton. As a functioning water tower it still provides water for the house today. It is rendered in Roman cement like the rest of the house, and features four clock faces framed by gilded surrounds and a half open staircase on its north side. It was described by the architectural critic Nicholas Pevsner as "the epitome of Victorian flamboyance and assertiveness."^[13] The tower is topped with a modern reproduction of Augustin Dumont's 19th-century winged male figure Le Génie de la Liberté (the Spirit of Liberty).^[14][15] The original is atop the July Column in the Place de la Bastille, Paris. This replaces two earlier versions, the first having fallen from the tower during a storm in the 1950s.^[16] The new statue is made of bronze and was created using Dumont's original mould from the 1860s found in a museum in Semur-en-Auxois, France.^[16]{{dead link|date=November 2018}} It measures 2.2 m in height, is covered in two layers of 23.5 carat gold leaf and cost a total of £68,000.^[16]{{dead link|date=November 2018}} It is an allegorical sculpture which holds the torch of civilization in its right hand and the broken chain of slavery in its left. It was affixed to the tower in spring 2012.^[16]{{dead link|date=November 2018}}

History

Duke of Buckingham and early history

Cliveden stands on the site of a house built in 1666 designed by architect William Winde as the home of George Villiers, 2nd Duke of Buckingham. But before Buckingham's purchase the land was owned by the Mansfield family and before that to the de Clyveden family.^[17]

The details are recorded in a document compiled by William Waldorf Astor in 1894 called The Historical Descent of Cliveden. It shows that in 1237 the land was owned by Geoffrey de Clyveden and by 1300 it had passed to his son, William, who owned fisheries and mills along the Cliveden Reach stretch of the Thames and at nearby Hedsor.

The document also shows that in 1569 a lodge existed on the site along with {{convert|50|acre|m2}} of land and was owned by Sir Henry Manfield and later his son, Sir Edward. In 1573, there were two lodges on {{convert|160|acre|m2}} of treeless chalk escarpment above the Thames. It was on this impressively high but exposed site that Buckingham chose to build the first Cliveden house.

Buckingham pulled down the earlier buildings and chose William Winde as his architect. Winde designed a four-storey house above an arcaded terrace. Today, the terrace is the only feature of Buckingham's house to survive the 1795 fire.{{sfn|Oxford Archaeology|2002|pp=1–2 (PDF 4–5)}} Although the Duke's intention was to use Cliveden as a "hunting box" he later housed his mistress Anna, Countess of Shrewsbury there. In 1668 a duel between the Duke and his mistress's husband Lord Shrewsbury^[18] took place at Barn Elms near London and resulted in Shrewsbury dying of his wounds.^[18] A contemporary account of Buckingham's antics with Anna is recounted by Samuel Pepys in his diary of the period.

John Evelyn, another contemporary diarist, visited the Duke at Cliveden on 22 July 1679 and recorded the following impression in his Diary:

"I went to Clifden (sic) that stupendous natural Rock, Wood & Prospect of the Duke of Buckinghams, & building of extraordinary expense... tis a romantic object & the place altogether answers the most poetical description that can be made of a solitude, precipice, prospect & whatever can contribute to a thing so very like their imagination. The house stands somewhat like Frascati... on the platforme (terrace) is a circular view of the utmost verge of the Horizon which with the serpentining of the Thames is admirably surprising... the Cloisters, Descents, Gardens & avenue through the wood august and stately."^[19]

In the 18th century

1st Earl of Orkney

After Buckingham died in 1687, the house remained empty until the estate was purchased in 1696 by George Hamilton, 1st Earl of Orkney, a soldier and colonial official. The Earl employed the architect Thomas Archer to add two new "wings" to the house, connected by curved corridors. Although an almost identical arrangement exists today, these are later reconstructions, the originals having been destroyed in the fire of 1795. All that remains of Archer's work inside the house today is a staircase in the West wing.

Orkney's contributions to the gardens can still be seen today, most notably the Octagon Temple and the Blenheim Pavilion, both designed by the Venetian architect Giacomo Leoni. The landscape designer Charles Bridgeman was also commissioned to devise woodland walks and carve a rustic turf amphitheatre out of the cliff-side.

Countesses of Orkney

Orkney died in 1737, and Cliveden passed to his daughter Anne, 2nd Countess of Orkney (suo jure). She immediately leased it to Frederick, Prince of Wales (son of George II and father of George III).^[21] After Frederick fell out with his father, Kew and Cliveden became his refuges from life at the royal court, becoming family homes for his wife Augusta and their children. During the Prince's tenure of the house, on 1 August 1740, Rule, Britannia! (an aria by the English composer Thomas Arne) was first performed in public in the cliff-side amphitheatre at Cliveden. It was played as part of a masque to celebrate the third birthday of the Prince's daughter Augusta.

It is believed that it was while playing cricket in the grounds at Cliveden in 1751 that the Prince received a blow to the chest from a batted ball—it had been thought this caused an infection which proved fatal,^[22] but it is now believed he died from a cold followed by a pulmonary embolism^[23][24] After his death, Frederick's family retained Kew but gave up their lease on Cliveden. Anne and her family moved back into the house, passing it to her daughter and granddaughter, the 3rd and 4th Countesses, who also lived there. On the night of 20 May 1795, the house caught fire and burned down. The cause of the fire was thought to have been a servant knocking over a candle.^[22] The 4th Countess moved out after the fire but retained the site, only selling it in 1824.

In the 19th century

Sir George Warrender

After the fire of 1795, the house remained a ruin for the first quarter of the 19th century. In 1824, the estate was purchased by Sir George Warrender, 4th Baronet. To rebuild Cliveden, Warrender selected William Burn, a Scottish architect, and decided on a design for a two-storey mansion with entertaining on a grand scale in mind.

2nd Duke of Sutherland

Warrender died in 1849 and the house was sold to the Sutherland family, headed by the second Duke. Sutherland had been in possession of the estate for only a few months when the house burned down for the second time in its history. The cause this time appears to have been negligence on the part of the decorators.^[25]

The Duke was prompt in commissioning the architect Charles Barry to rebuild Cliveden in the style of an Italianate villa. Barry, whose most famous project is arguably the Houses of Parliament, Westminster, was inspired by the outline of the two earlier houses for his design. The third (and present) house on the site was completed in 1851–52, and its exterior appearance has little changed since then. The {{convert|100|ft|m|adj=on}}-tall clock tower, which is actually a water tower (still working to this day) was added in 1861 by the architect Henry Clutton. Also around this time another architect, George Devey, was commissioned to build half-timbered cottages on the estate along with a dairy and boathouse.

After the duke's death in 1861, his widow Harriet continued to live at the house for part of the year until her death in 1868, after which it was sold to her son-in-law Hugh Lupus, Earl Grosvenor, later 1st Duke of Westminster.

1st Duke of Westminster

Westminster was one of the wealthiest Englishmen of the period^[27] and during his ownership of the estate (1868–93), he contributed significant additions to the house and gardens including the porte cochère on the north front of the mansion, a new stable block and the dovecote, all designed by Henry Clutton.

In the 20th and 21st century

Astor era

In 1893, the estate was purchased by an American millionaire, William Waldorf Astor (later 1st Lord Astor), who made sweeping alterations to the gardens and the interior of the house, but lived at Cliveden as a recluse after the early death of his wife. He gave Cliveden to his son Waldorf on the occasion of his marriage to Nancy Langhorne in 1906 and moved to Hever Castle.

The young Astors used Cliveden for entertaining on a lavish scale.^[10] The combination of the house, its setting and leisure facilities offered on the estate—boating on the Thames, horse riding, tennis, swimming, croquet and fishing—made Cliveden a destination for film stars, politicians, world-leaders, writers and artists. The heyday of entertaining at Cliveden was between the two World Wars when the Astors held regular weekend house parties. Guests at the time included: Charlie Chaplin, Winston Churchill, Joseph Kennedy, George Bernard Shaw, Mahatma Gandhi, Amy Johnson, F.D. Roosevelt, H.H. Asquith, T.E. Lawrence (Lawrence of Arabia), A.J. Balfour and the writers Henry James, Rudyard Kipling, and Edith Wharton. The tradition of high-profile guests visiting the house continues to this day, largely due to the house's conversion into a hotel.^[28]

Also at this time the entertainer Joyce Grenfell, who was Nancy Astor's niece, lived in a cottage on the estate.^[30] She also entertained injured troops in the hospital on the estate during World War II.

In 1942, the Astors gave Cliveden to the National Trust with the proviso that the family could continue to live in the house for as long as they wished. Should they cease to do so, they expressed the wish that the house be used "for promoting friendship and understanding between the peoples of the United States and Canada and the other dominions."^[31] With the gift of Cliveden, the National Trust also received from the Astors one of their largest endowments^[32] (£250,000 in 1942 which is equivalent to £10,809,375 in 2016).^[33] The Astors ceased to live at Cliveden in 1968, shortly after the Profumo Affair and Bill Astor's death.

Canadian Red Cross Memorial Hospital

At the outbreak of World War I, Waldorf Astor offered the use of some of the grounds to the Canadian Red Cross for the building of a hospital—the HRH Duchess of Connaught Hospital—which was dismantled at the end of the hostilities. In September 1939 with the outbreak of World War II Waldorf Astor again offered the use of the land at a rent of one shilling per year to the Canadian Red Cross and the Canadian Red Cross Memorial Hospital was built to the designs of Robert Atkinson. After the war the hospital's main focus was as a nursing school, a maternity unit and a rheumatology unit.

The hospital closed and was abandoned in 1985. It lay derelict for two decades and has been demolished in 2006 to make way for a housing development for people aged 55 and over.^[34]

Attached to the military hospital and within the grounds was established Cliveden War Cemetery. There are 42 Commonwealth war graves, 40 from World War I (mostly Canadians) and two from World War II, besides two American service war graves from the first war.^[35]

Cliveden House Hotel

In 1984, Blakeney Hotels (later Cliveden Hotel Ltd) acquired the lease to the house. Led by chairman John Lewis and managing director John Tham they restored and refurbished the interior.^[36] Rooms are furnished with Edwardian antiques and the house is run in a similar style as it would have been when Nancy Astor was chatelaine.{{cn|date=October 2018}}

In 1990, they added the indoor swimming pool and spa treatment rooms in the walled garden, complementing the existing outdoor pool. Also in 1990, a new 100-year lease was granted to run from 1984.^[37] In 1994 the conversion of the West wing from domestic offices to provide more bedrooms and two boardrooms (Churchill and Macmillan) was completed.^[38] There are 48 bedrooms and suites,^[39] all of which are named after previous owners and guests (e.g. Buckingham, Westminster).^[11] In addition to the Terrace Dining room, there are a further four private dining rooms. Three rooms are licensed for civil ceremonies and each year many couples are married at Cliveden.^[11] The hotel also leases Spring Cottage by the Thames, one of the key places in the Profumo Affair, and offer it as self-contained accommodation.^[11]

The hotel was listed on the London Stock Exchange for a period of time in the 1990s (as Cliveden Plc).^[36] This company was bought in 1998 by Destination Europe, a consortium led by billionaire Microsoft CEO Bill Gates.^[40] In the early years of the 21st century the lease was acquired by von Essen Hotels.

In 2007, Cliveden House Hotel claimed to offer the "world's most expensive sandwich" at £100. The von Essen Platinum Club Sandwich was confirmed by Guinness World Records in 2007 to be the most expensive sandwich commercially available.^[41] Cliveden House was the "jewel in the crown" of Von Essen Hotels when the company collapsed in 2011.^[42]

The lease to Cliveden Hotel was then purchased in February 2012 by the property developers Richard and Ian Livingstone, owners of London & Regional Properties, (also the new owners of the next door 220 acre estate called Dropmore Park) who placed it under the management of Andrew Stembridge from Chewton Glen.^[43] In 2015 Natalie Livingstone, the wife of Ian Livingstone, published The Mistresses of Cliveden, a history of some of the female occupants of the house.^[44] In January 2015 the hotel closed for one month to carry out a refurbishment of the interior and for the National Trust to repair the roof.^[45]

The hotel's insignia is that of the Sutherland family and consists of a coronet with interlaced "S"s and acanthus leaves. Three-dimensional versions of this insignia can be found on panels and radiator grills in parts of the house.^[46] The hotel's motto is "Nothing ordinary ever happened here, nor could it."^[11]

Gardens and grounds

The estate extends to {{convert|376|acre|km2}} of which about {{convert|180|acre|km2}} comprise the gardens, the rest being woodland and paddocks. The gardens are listed Grade I on the Register of Historic Parks and Gardens.^[48]

Parterre

The formal parterre to the south of the house is one of the largest in Europe at {{convert|4|acre|m2}}.^[49] and is best viewed from the 20-foot (6.1m) high terrace on the south side of the mansion. This part of the garden has received the most attention over the centuries. The first arranging of the large plateau to the south of the house took place c.1723 during George Hamilton, Earl of Orkney's ownership.^[50] Although he had previously commissioned plans for elaborate parterre schemes from Claude Desgots, the nephew of André Le Nôtre (both designers had previously worked at Versailles), Orkney eventually chose a much simpler plan involving an open expanse of lawn surrounded by raised gravel walks and double rows of elm trees.^[51] At the far end there was (and still is) a sunken feature in the turf where Orkney's horses were exercised in a form of open-air manège.^[52] Orkney referred to the garden as his "Quaker parterre" because of its simplicity.^[50] The parterre endured in this form until the mid 19th-century when the estate was owned by the Duke of Sutherland and by which time the garden had been neglected. It was described by the Duke's son Lord Ronald Gower as "a prairie...a huge field of grass and wild flowers."^[53] The Duke commissioned both Charles Barry (who had rebuilt the mansion after the second fire) and John Fleming (the head gardener) to produce designs for a complex parterre of flower beds. Fleming's design, which featured two sets of eight interlocking wedge-shaped beds, was chosen and is the template for what can be seen today. The beds were planted with a seasonal mix of bulbs, annuals and shrubs such as gladioli, hollyhocks, tulips, pansies and azaleas. Fleming pioneered this style of planting at Cliveden, which was later to be named "carpet-bedding."^[51] The Cliveden scheme in the 19th-century is well documented in Fleming's handbook Winter and Spring Flower Gardening (1864). The Trust planted the present clipped yew pyramids at the corners of the beds in 1976.^[54] At this time (and for the next three decades) the beds contained a massed-planting effect of silver-evergreen Senecio "Sunshine" and Santolina,^[54] but in 2010 the Trust decided to recreate Fleming's original 19th-century planting scheme.^[55]

Themed gardens

The Italian-style Long Garden consists of topiary in the form of corkscrew-spirals, peacocks and seasonal planting within box hedges; it was created by garden designer Norah Lindsay in c.1900. The Japanese-style Water Garden was designed in c.1893 and is believed to be the first such oriental-inspired garden in the country.^[56] It features a pagoda, on an island, bought from the Bagatelle estate in Paris. The planting there is mostly spring-flowering: cherry trees, bush wisterias and giant gunneras. Both gardens were commissioned by the 1st Lord Astor. The circular Rose Garden, designed by Sir Geoffrey Jellicoe for the Astor family in the early 1960s subsequently suffered from rose disease and was replanted as a "secret" garden of herbaceous plants in the 2000s, but in 2014 the roses were reinstated.^[57] The planting in the herbaceous borders in the forecourt was designed in the 1970s by the National Trust advisor Graham Stuart Thomas. The west-facing border features "hot"-coloured flowers (red, yellow, orange) and the east-facing border is planted with "cooler" colours (blue, pink and white).

In 2011, the Trust began an ambitious project to restore the 19th-century Round Garden near the eastern edge of the estate. Originally this is where fruit was grown for the house but since the 1950s it has laid overgrown. The circular garden has a diameter of 250 ft and restoration will include reinstating the paths and wrought iron arches as well as original fruit varieties where possible.^[58]

Woodland

There is a lime tree avenue either side of the main drive to the house. Cliveden holds part of the National Plant Collection of Catalpa.^[59] In 1897 the 1st Lord Astor imported a section of a Californian redwood and had it installed in the woods. At {{convert|16|ft|6|in|m|abbr=on}} across it is the largest section of a Sequoia gigantea in Britain.^[60] The woodlands were first laid out by Lord Orkney in the 18th century on what had been barren cliff-top; they were later much restocked by Bill Astor, but suffered badly in the Great Storm of 1987. The National Trust continues the replanting of the beechwoods.

Maze

The original Cliveden maze, commissioned by Lord Astor in 1894, has undergone major restoration after having lain overgrown and inaccessible since the 1950s. It was replanted with 1,100 six-foot-tall yew trees covering an area of one-third of an acre (1.2 hectares) and opened to the public in 2011.^[61]

Garden buildings: pavilions and follies

The earliest known garden buildings at Cliveden were both designed by Giacomo Leoni for Lord Orkney; the Blenheim Pavilion (c.1727) was built to commemorate Orkney's victory as a general at the Battle of Blenheim.

The pagoda in the water garden was made for the Paris Exposition Universelle of 1867 and was purchased by the 1st Viscount Astor from the Bagatelle estate in Paris in 1900.

In the woods there is a small flint folly thought to date from the mid-19th century.

Octagon Temple (Astor family chapel)

The Octagon Temple, situated 200 ft above the Thames, was originally designed by Giacomo Leoni in 1735 as a gazebo and grotto but was later converted by the 1st Viscount Astor to become the family chapel.

In addition to its function as Astor family chapel, the Octagon Temple was adapted to serve as a mausoleum in 1893. Today, three generations of Astors are buried here:^[62] The mausoleum contains the ashes of the 1st Viscount Astor, his son the 2nd Viscount, and of the latter's wife, Nancy Astor. The ashes of the 3rd Viscount and of Robert Gould Shaw III (Nancy Astor's son by her first marriage) are also buried here.

The mausoleum's interior and dome are decorated with colourful mosaics by Clayton and Bell representing religious scenes.^[63]

Sculpture collection

One of the features of the gardens is the large collection of sculpture, most of it acquired by the 1st Lord Astor from 1893 to 1906.^[64] The shell fountain, known as the Fountain of Love, greets visitors at the end of the lime tree avenue up to the house. It was sculpted by Thomas Waldo Story, (American, 1855–1915) in Rome in 1897 and was commissioned by Lord Astor for this site. It features a large Carrara marble shell supporting three life-size female figures attended by cupid. The "Tortoise" fountain near the parterre was also made by T.W. Story at around the same time.

In the forecourt there is a collection of eight marble Roman sarcophagi, some of which date from c.AD 100 and were bought by Lord Astor from Rome.

The Queen Anne Vase at the end of the Long Walk is said to have been given to Lord Orkney by Queen Anne in the 18th century and consists of a tall urn on a plinth decorated with the Greek key pattern.

At the far-end of the parterre is a 20th-century copy of a bronze group entitled The Rape of Proserpina (Italian, c.1565), bought by W.W. Astor from Italy. The original is now housed in the Victoria and Albert Museum.^[65]

The well-heads and oil-jars found throughout the gardens came from Venice and Rome respectively.^[66]

Sitting on modern plinths in the Long Garden are two ancient Egyptian baboon sculptures, thought to be 2,000 - 2,500 years old, that were purchased by William Waldorf Astor in Rome in 1898. It is believed that these sculptures represent Thoth, the Egyptian god of writing and wisdom.^[67]

Borghese Balustrade

The largest sculpture in the grounds, technically in two parts, is the 17th-century Borghese Balustrade on the parterre. Purchased by Lord Astor in the late 19th century from the Villa Borghese gardens in Rome, it is crafted from Travertine stone and brick tiles by Giuseppe Di Giacomo and Paolo Massini in c.1618–19. It features seats and balustrading with fountain basins and carved eagles.

"Cliveden Snail"

In 2004, a colony of small Mediterranean land snails of the species Papillifera bidens was discovered living on the Borghese Balustrade. Presumably this species, new to the English fauna, was accidentally imported along with the balustrade in the late 19th century, and managed to survive the intervening winters to the present day.^[68]

Spring Cottage

This is the largest and most complex of the four timber-framed cottages designed or altered by the architect George Devey along the banks of the River Thames on the Cliveden estate. The first structure on the site was a Gothic-style summerhouse with an octagonal vaulted plaster ceiling designed in 1813 by architect Peter Nicholson for Mary, 4th Countess of Orkney.^[69] She was living in one wing of the burnt down mansion at the time of the commission. It was used as a tea house and spa for the many visitors attracted to the nearby mineral springs, which flowed from the chalk cliff above and ran down into the Thames.^[69] Nicholson published his designs for the house in his Architectural Dictionary of 1813 in the form of a cross-section of the interior and ceiling projection. In auction particulars dated 1821, which list all structures on the estate, the building is described as a Banqueting house "at the much admired spring",^[70] while several decades later it was described as an "ornamental fishing villa."^[69]

In 1857, the Duke of Sutherland, who had owned Cliveden for eight years, commissioned George Devey to enlarge the existing building into a two-storey cottage.^[69] The subsequent alterations were in the vernacular style with brick and stucco walls, fish-scale pattern roof slates, a Gothick-style loggia and a turret above an exterior staircase leading to a balcony.^[71] Throughout the remainder of the 19th century the main purpose of the cottage was as a place of leisure, and it was frequently used by the Duke's wife Harriet to entertain guests, most notably her friend Queen Victoria.^[69]

In 1957, the cottage came to the attention of London osteopath Stephen Ward, who had been hired to treat Bill Astor. He leased the cottage from the Astors for a minimal rent for use as a weekend retreat.^[72] Among the guests invited to stay there were London call girls Christine Keeler and Mandy Rice-Davies.^[72] A chance meeting in 1961 between Keeler and cabinet minister John Profumo (a guest of the Astors) at the Cliveden swimming pool led to the Profumo Affair which so damaged the Macmillan government.^[73]

Spring Cottage was awarded Grade II listed status in 1986,^[71] and in 1997 the hotel company which leased Cliveden House from the National Trust also acquired the lease to the cottage.^[69] A reported £750,000^[69] was spent restoring and refurbishing the dilapidated building before it reopened in 1998 as a self-contained luxury holiday let.^[69] The cottage and its garden are not open to the public.

Cliveden Reach

Cliveden Reach, between Cookham Lock and Boulter's Lock, is one of the most scenic stretches of the Thames. A section of the original Thames towpath extends from the boathouse, north to Cookham Lock. Cliveden House may be accessed by watercraft from the mooring on Cliveden Reach half a mile downstream from Cliveden boathouse. A series of Eyots in the reach are owned by the National Trust, and allow for short periods of mooring for passing boats. Cliveden Reach is a popular spot for canoeing, kayaking, and angling. The National Trust offers self-hire boats and guided river cruises.

In popular culture

Art

• Cliveden, (c.1750–80), by William Tomkins. Oil painting showing the extended first house from the river.^[74]
• A Fallen Beech with a Prospect of Cliveden, (1988), by Carl Laubin. Oil painting commissioned by the NT after the Great Storm of 1987.^[75]

Film and television

Cliveden is the location or inspiration for scenes in the following film and TV productions.

• A Very British Country House (2018) Four-part TV series documenting the day to day running of the hotel and estate.
• Hampstead (2017) Interior of Ferry Cottage beside the Thames and the river at Cliveden Reach.
• Paul Hollywood City Bakes (2016) 'London' episode. Paul prepares afternoon tea in the Hotel's kitchen.
• Mr Selfridge (Season 4, 2016) Bedrooms and French Dining Room.
• Cinderella (2015) Cliveden's clock tower and shell fountain are the inspiration for the ones in the film.
• A Little Chaos (2014) Gardens and grounds.
• Endless Night (2013) Lady Astor suite; French Dining Room; gardens.
• Sherlock Holmes (2009) The French Dining Room stands in for a Parisian hotel bedroom.
• Made of Honour (2008) The Library stands in for a New York study.
• Cards on the Table (2005) Interior and exterior of Spring Cottage.
• Mrs. Henderson Presents (2005) Gardens and grounds.
• Thunderbirds (2004) Cliveden is used as the model for Lady Penelope's house, "Creighton-Ward Mansion".
• Antiques Roadshow (2000) Valuation day held in the grounds.
• Carrington (1995) The River Thames from the grounds.
• Chaplin (1995) The River Thames from the grounds.
• Scandal (1989) The story of the Profumo Affair. Although not filmed at Cliveden, it is inspired by events which took place there.
• Dead Man's Folly (1986) Gardens and interior of Spring Cottage and River Thames.
• Nancy Astor (1982) House and grounds appear as themselves in this BBC TV series.
• Death on the Nile (1978) The main gates.
• Operation Daybreak (1975) House appears as a WWII Czech HQ.
• Don't Lose Your Head (1966) House and grounds.
• The Yellow Rolls-Royce (1965) Grounds.
• Help! (1965) House stands in for Buckingham Palace.
• The Card (1952) Horse and carriage scenes in courtyard and stables.

Literature

• In Chapter 12 of Three Men in a Boat (1889), Jerome K. Jerome describes Cliveden Reach as "unbroken loveliness this is, perhaps, the sweetest stretch of all the river…"
• In Boogie Up the River (1989) Mark Wallington retraces Jerome's journey to mark its centenary, with the Thames at Cliveden described in Chapter 5.
• The poet Alexander Pope wrote (c.1730) of the Duke of Buckingham's affair with Anna, Countess of Shrewsbury: "Gallant and gay in Cliveden's proud alcove/The bower of wanton Shrewsbury and love."^[76]
• Daniel Defoe mentions the first house in A Tour Through England and Wales (1726).
• Gore Vidal in his 1948 novel The City and the Pillar: "The Cliveden-Churchill Set are too well entrenched and I shouldn't be in the least surprised if they created some sort of dictatorship that could never be thrown off without a revolution."

Gallery

Notes

References

• {{citation|last=Crathorne|first=James|title=Cliveden: The Place and the People|publisher=|location=London|year=1995|isbn=}}
• {{citation|last=Llewellyn|first=R.|title=Elegance and Eccentricity|publisher=|location=|year=1989|isbn=}}
• {{citation|last=National Trust|first=The|title=Guide to Cliveden|publisher=National Trust for Places of Historic Interest or Natural Beauty|location=London|year=1971|isbn=}}
• {{citation|last=National Trust|first=The|title=Guide to Cliveden|publisher=National Trust for Places of Historic Interest or Natural Beauty|location=London|year=1994|isbn=}}
• {{citation|last=National Trust|first=The|title=Guide to Cliveden|publisher=National Trust for Places of Historic Interest or Natural Beauty|location=London|year=2012|isbn=}}
• {{citation |author=Oxford Archaeology |date=8 November 2002 |title=The south Terrace at Cliveden, Archaeological Watching Brief |publisher=OA Library |url=https://library.thehumanjourney.net/2179/1/CLIST02_PdfA.pdf}}

Further reading

• Astor, Michael, Tribal Feeling, London, 1963.
• Coates, Tim, The Scandal of Christine Keeler and John Profumo: Lord Denning's Report 1967, London, 2003.
• Fox, James, The Langhorne Sisters, London, 1998.
• Hayward, Allyson, Norah Lindsay: The Life and Art of a Garden Designer, London, 2007.
• Jackson-Stops, Gervase, An English Arcadia: 1600–1990, London, 1992.
• Keeler, Christine, The Truth at Last: My Story, London, 2002.
• Lacey, Steven, Gardens of the National Trust, London, 1994.
• Rose, Norman, The Cliveden Set: Portrait of an Exclusive Fraternity, London, 2000.
• Sinclair, David, Dynasty: The Astors and their Times, London, 1983.
• Stanford, Peter, Bronwen Astor: Her Life and Times, London, 2001.

External links

• [https://www.nationaltrust.org.uk/cliveden nationaltrust.org.uk] Cliveden information at the National Trust
• Cliveden House
• National Trust Collections: an online directory of items at Cliveden

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