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词条 Hiroki Azuma
释义

  1. Biography

  2. Work

  3. Works

  4. See also

  5. References

  6. External links

{{for|the Japanese footballer|Hiroki Azuma (footballer)}}{{Expand Japanese|東 浩紀|topic=author|reason=JA wikipedia has a decent biography with sources, need to bring that over|date=March 2016}}{{update|date=November 2014}}{{Infobox philosopher
|region = Japanese philosophy
|era = Contemporary philosophy, 20th-century philosophy, 21st-century philosophy
| name = Hiroki Azuma
| image =
| alt =
| caption =
| native_name = 東 浩紀
| native_name_lang = ja
| birth_name =
| birth_date = {{Birth date and age|1971|05|09}}
| birth_place =
| death_date =
| death_place =
| school_tradition = Continental philosophy, Deconstruction, Materialism, Dualism
| main_interests = Metaphysics, Ontology, Ethics, Philosophy of language, Communication studies, History of science, Philosophy of science, Studies of Culture and Representation, Popular culture, Literary theory, Literary criticism, Social philosophy, Social thought, Information society
| notable_ideas = Dualism, Misdelivery, Singular transcendentness/Plural transcendentness, Postal space, Animalize, Database consumption, Moe-elements, Gamelike realism, Disciplinary power/Environment-controlling power, Human publicness/Animal publicness, General will 2.0, Weak ties, Villagers/Travelers/Tourists, Postal Multitude
| influences = Continental philosophy, 20th-century French philosophy, Post-structuralism, Akira Asada, Jacques Derrida, Fyodor Dostoyevsky, Kojin Karatani, Richard Rorty, Jean-Jacques Rousseau, Eiji Õtsuka
| influenced = Tsunehiro Uno, Tamaki Saitō, Masaya Chiba, Satoshi Hamano
| other_names =
| occupation = Cultural critic
| years_active =
| website =
}}{{nihongo|Hiroki Azuma|東 浩紀|Azuma Hiroki}} (born May 9, 1971) is a Japanese cultural critic, novelist, and philosopher.

Biography

Born in Mitaka, Tokyo, he received his Ph.D. (in "Culture and Representation") from the University of Tokyo in 1999 and became a professor at the International University of Japan in 2003. He was an Executive Research Fellow and Professor at the Center for Global Communications (GLOCOM), and a Research Fellow at Stanford University's Japan Center. Since 2006 he has been working at the Center for Study of World Civilizations at the Tokyo Institute of Technology.

Azuma is married to the writer and poet Hoshio Sanae. They have one child. His father-in-law is the translator, novelist, and occasional critic Kotaka Nobumitsu.

Work

Hiroki Azuma is one of the most influential young literary critics in Japan, focusing on literature and on the idea of individual liberty in an age of ubiquitous information.

He began writing inspired by the work of Kojin Karatani and Akira Asada. He is an associate of Takashi Murakami and the Superflat movement. His publishing debut was "Solzhenitsyn Essay" in 1993. Azuma handed the work directly to Karatani during his lecture series at Hosei University which Azuma was auditing.

Azuma launched his career as a literary critic in 1993 with a postmodern style influenced by leading Japanese critics Kojin Karatani and Akira Asada. In the late 1990s, Azuma began examining various pop phenomena, especially the emerging otaku/Internet/video game culture, and became widely known as an advocate of the thoughts of a new generation of Japanese. He is interested in the transformation of the Japanese literary imagination under its current “otaku-ization.”

Azuma has published seven books, including Sonzaironteki, Yubinteki (Ontological, Postal) in 1998, which focuses on Jacques Derrida's oscillation between literature and philosophy. This work won the Suntory Literary Prize in 2000 and made Azuma the youngest writer to ever win that prize. Akira Asada stated that it is one of the best books written in the 90s; however, Hiroo Yamagata pointed out that the book is based on the misunderstanding of Gödel's incompleteness theorem. He also wrote Dobutsuka-suru Postmodern (Animalizing Postmodernity) (translated as Otaku: Japan's Database Animals in 2001), which analyzes Japanese pop culture through a postmodern lens.[1] He has also set up a non-profit organization to encourage cutting-edge critics who might be shut out of the existing publishing world.

Works

  • Azuma, Hiroki. Otaku. Minneapolis: University of Minnesota Press, 2009.
  • Azuma, Hiroki. (2007) "The Animalization of Otaku Culture" Mechademia 2 175–188.

See also

  • Moe
  • Kojin Karatani
  • Akira Asada

References

1. ^{{Cite web |last=Ruh |first=Brian |url=http://www.animenewsnetwork.com/brain-diving/2011-01-11 |title=Ace of Database |work=Anime News Network |date=11 Jan 2011 }}
  • J'Lit | Authors : Hiroki Azuma | Books from Japan {{en icon}}

External links

  • Hiroki Azuma's homepage and blog {{en icon}}
    • "Two Deconstructions: toward the theoretical understanding of Derrida's postal metaphors"
    • "Superflat Japanese Postmodernity"
  • "Anime, or something like it: Neon Genesis Evangelion"
  • "Towards a cartography of Japanese anime: Anno Hideaki's >>Evangelion<<. Interview with Azuma Hiroki"
  • {{Twitter}}
{{Authority control}}{{DEFAULTSORT:Azuma, Hiroki}}

14 : 1971 births|Anime and manga critics|Living people|Japanese philosophers|Japanese novelists|People from Western Tokyo|Tokyo Institute of Technology faculty|Waseda University faculty|University of Tokyo faculty|University of Tokyo alumni|Winners of the Yukio Mishima Prize|Cultural critics|21st-century philosophers|Japanese magazine editors

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