| 词条 | G minor |
| 释义 |
| name = G minor | image_name = B-flat-major g-minor.svg | relative = B-flat major | dominant = D minor | subdominant = C minor | parallel = G major | first_pitch = G | second_pitch = A | third_pitch = B{{music|flat}} | fourth_pitch = C | fifth_pitch = D | sixth_pitch = E{{music|flat}} | seventh_pitch = F }}G minor is a minor scale based on G, consisting of the pitches G, A, B{{music|flat}}, C, D, E{{flat}}, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. The G natural minor scale is:
\\override Score.TimeSignature #'stencil = ##f \\relative c { \\clef treble \\key g \\minor \\time 7/4 g4^\\markup "G natural minor scale" a bes c d es f g f es d c bes a2 \\clef bass \\key g \\minor } } Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are:
\\override Score.TimeSignature #'stencil = ##f \\relative c { \\clef treble \\key g \\minor \\time 7/4 g4^\\markup "G harmonic minor scale" a bes c d es fis g fis es d c bes a2 } }
\\override Score.TimeSignature #'stencil = ##f \\relative c { \\clef treble \\key g \\minor \\time 7/4 g4^\\markup "G melodic minor scale (ascending and descending)" a bes c d e fis g f! es! d c bes a2 } } Mozart's use of G minor{{main|Mozart and G minor}}G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy,[1] and many of his minor key works are in G minor, such as the Piano Quartet No. 1 and the String Quintet in G minor. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies (No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B{{music|flat}} alto.[2] Another convention of G minor symphonies observed in Mozart's No. 25 was the choice of E-flat major, the subdominant of the relative major Bb, for the slow movement, with other examples including Joseph Haydn's No. 39 and Johann Baptist Wanhal's G-minor symphony from before 1771.[3] Notable works in G minor{{See also|List of symphonies in G minor}}{{Div col|colwidth=25em}}
See also
References1. ^Hellmut Federhofer, foreword to the Bärenreiter Urtext edition of Mozart's Piano Quartet in G minor. "{{Lang|de|G-Moll war für Mozart zeitlebens die Schicksaltonart, die ihm für den Ausdruck des Schmerzes und der Tragik am geeignetsten erschien.}}" ("G minor was, for Mozart, the most suitable fate-key throughout his life for the expression of pain and tragedy.") 2. ^H. C. Robbins Landon, Mozart and Vienna. New York: Schirmer Books (1991): 48. "Writing for four horns was a regular part of the Sturm und Drang G minor equipment." Robbins Landon also notes that Mozart's No. 40 was first intended to have four horns. 3. ^James Hepokoski and Warren Darcy, Elements of Sonata Theory (Oxford University Press: 2006) p. 328 External links
3 : Musical keys|Minor scales|Compositions in G minor |
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